From The Moon

Hi! Another Sci-Fi story this week. Unlike others where I don’t specify how far in the future they are, this one you can work out. I don’t explicitly say the year but the decade is sort of provided. And all I’m going to say about this one, which you can probably guess from the title, is that it involves our Moon. I’ll also add that it has something to do with us returning to our Moon too. But that’s it. That’s all you’re getting. So enjoy!

Mission Director Lori Savich, like the rest of those who serve in Mission Control for the Foundation I space mission, is stood gazing in wonder at the display wall which is relaying the camera feeds onboard.

If she could manage to tear her eyes away from the display, Lori would find everyone else has much the same look on their faces as she does. Chiefly that is because today is something that they have all been waiting for their entire lives, a return to the Moon.

It’s been more than sixty years since man last set foot on the surface of the Earth’s only natural satellite. Many thought it would never happen and for a while it looked as though they were right. But none of that matters now because Foundation I, the lunar capsule that was hurled into space from the surface of Earth atop a rocket has just this minute achieved touchdown. It was an uneventful affair, which everyone on both the capsule and in Mission Control were relieved to be able to admit. After all, space is not anything like going down a road or even to the peak of a mountain like Everest. That’s because there remains a breathable atmosphere in both instances. The same cannot be said for space. It is a void and in a void you cannot breathe.

In fact, one false move could’ve rupture the capsule killing everyone inside. But it hasn’t. The capsule is down, static; resting at close enough to the designated landing zone that it’ll make no difference to what will come next. For this is not some simple return to the Moon to retread old ground. No. Instead, this is a return to the Moon to begin the process of establishing a base of operations there. One that will grow and expand over time from the single dome which this three person crew will be erecting, to a platform from which humanity will be capable of using to venture out deeper into the system of which it is a part.

A smile creeps across the blonde Mission Directors’ face as thinks about the future and what it might hold. Her green eyes blink slowly but continue to refuse to turn away from the display as the astronauts chatter and exchange words with Mission Control.

As ever Lori is dressed professionally and appropriately in a trouser suit. It’s her choice of attire and one she finds far more suitable when there is the prospect you might end up crawling into this space or that. Yes, even as Mission Director for a space programme you still have to muck in here and there. Usually, more out of choice than necessity to be quite honest, but as a result of her willingness to get involved Lori has more than earned the admiration of her colleagues.

The tip of her ponytail erupts into a light to and fro sway when she tips her head to better catch whether the sound levels being beamed back to them with the little over a second delay, something that has to be factored in when doing anything over such a distance, are sufficient. Thankfully, they are because one of her team instinctively increases the dial without it being necessary for her to issue such an order. They’re a good team of people she has around her. This never would’ve been possible without each and every one of them.

“Control, Foundation I is ready for disembark.” Commander Ian Wu says while stood inches from the exit hatch beyond which lies the surface of the Moon and the starry canvas of space as a whole.

No one can see the Commander’s face for he has a solar face shield lowered across his visor to protect against what would otherwise be the blinding brilliance of the Sun.

“Foundation I you are clear for disembark.” Is the order which is fired back without Lori’s approval. Principally because she does not need to give her approval as in truth her role is mainly for if things go awry. She hopes they won’t but remains on her toes ready and waiting just in case. If she did not then it could cost lives. Not something the twenty eight year old wants to have on her conscience for she knows these men and women on Foundation I. They’ve worked alongside each other for years preparing for this moment and have grown close as a result.

Should they have? She doesn’t know. Perhaps not, but they have and the Australian born Lori thinks it was inevitable for who do they spend more time with than the people they work alongside? No one. And who understands what they are trying to achieve better than them? Also, no one.

“Copy, Control.” Commander Wu acknowledges before clearing his throat to launch into, “Today is a historic day for mankind. Not because we have come to the Moon, but because this will serve as the first step along the road toward humanity becoming an interplanetary species.”

With that Commander Ian Wu slams his palm into the release lever of the hatch and then hauls it down until there is a hiss. The sound is the atmosphere being vented.

Lori’s eyes drift toward Clarence for a nano second and then back to the display when the bespectacled man shows no signs of concern. Still, the Mission Director gulps and feels a tingle across her back. She resists the urge to roll her shoulders, which she believes will get rid of the sensation, though does not know why she believes such.

It takes almost a full minute for the hatch to finish its open cycle. They never could get it to perform consistently with a greater retraction speed during testing and so this is what they had to settle on. Sure, it isn’t ideal but when it comes to space it’s better to be safe than sorry. Though, they had almost ditched an automatic piston operated door entirely in favour of something more commonly found on subs and ships.

With the hatch open, the atmosphere vented and a view, for the trio of astronauts, ahead, Commander Wu steps forward. Everyone can hear his breathing. The joys of a mic having to be millimetres from his mouth and him not being muted, unlike his colleagues Rachelle Emerson and Dean Ortega. Lori suspects they are stunned and in awe of what lies before them principally because she knows she would be. Yet, it does not escape her that this trio are trained in ways she has never been for she doesn’t hold what she would term, the daredevil spirit. No. Lori is a scientist not an explorer and while she does want to go to space she has no plans to do so until a good chunk of Foundation’s flights are complete.

Left foot setting down on the lunar surface, the fine dust shifts under the weight pressed upon it by Commander Wu. A smile splits across his face, wide. He’d already been smiling but now it’s much wider.

He drinks in the sights and lack of sound around him. Yet, he does not pause. Rather he takes several additional steps so his colleagues Rachelle and Dean too can set foot out here. After all, this isn’t some solo publicity stunt sort of a deal. No, it’s a fully fledged Moon mission. Like those back in the day. Thinking about what was achieved in the middle of the last century feels all the more astonishing to Ian as he surveys his surroundings.

Everyone back in Mission Control is cheering. They’d been waiting with bated breath. Hoping, praying, nothing would go sideways.

The last thing Foundation I needed was a disaster. It had taken too much to scrape the funding together to achieve what they have and any sort of problem could’ve sunk them for good, regardless of multi-billionaire backers or not.

“Control, we are surface side and I hope you’re getting this because it’s beautiful.” Commander Wu advises doing a show pan not only for his own benefit but for the benefit of those in Mission Control watching the feed.

Quite unlike the mid twentieth century Moon missions, these are not being televised. No one cares. Well, that’s not quite true. It’s more the care for space is directed towards those who have dabbled and made it popular, like an item of fashion, rather than it remaining a scientific endeavour to further mankind.

Put simply, none of the network stations gave a damn or wanted to pay for the rights to broadcast this footage, live or not. And with the budget needed for the programme itself there wasn’t enough left, none in fact, to setup live streaming capabilities.

“Congratulations Foundation I, you are the first people on the Moon in over half a century.”

“Copy, Control.” There is a pause. It’s longer than the delay between the Earth and Moon. Following it Commander Wu asks, “Is the PR bull over now?”

Needing to stifle a chuckle, Lori raises her headset to her ear, with the mic roughly positioned above her lips, and advises, “Ian the PR bull is over. Proceed with the mission as planned.”

“Understood Director; and never make me do that again by the way.” Is the reply from Ian who breathes a sigh of relief now that he no longer has to put on some clickbait presentation show piece just in case at some point they decide to use the footage and comms as a means of advertising. After all, Commander Wu is an astronaut, a military man from the air force, not an actor.

“Wooo, I’m glad to no longer have to listen to you do that; I’m a professional and have to have a deep and booming voice, act any longer ‘cause wow you sounded like a douche.” Dean Ortega blurts as soon as he disengages the mute on his suits mic.

Rachelle does the same and first thing you hear from her is laughter. Something she’d been doing throughout Ian’s little act and too short to qualify as a true speech piece.

“Yeah, it doesn’t suit you at all Ian. Just as well this isn’t being broadcast to anyone except Control because I know we wouldn’t have managed to keep it together.”

“Zip it you two, we have a job to do.” Ian forces the voice again which he had been using to sound impressive. They all burst out laughing. Many in Control chuckle too, including Lori.

“Gotta say this place is…” Rachelle begins only to trail off too in awe to relocate the words she’d intended to speak.

“Unlike anything we’ve ever seen before.” Is the conclusion uttered by Dean who finishes his colleagues’ statement. Though, he too is flabbergasted by the view and can scarcely believe that the three of them are really here.

Nothing more is said for a few minutes.

Lori thinks it important to let the astronauts come to grasp with where they are. After all, it isn’t everyday that you leave the planet of your birth and venture somewhere new. One day it might be, and should be, but first Foundation needs to get that dome erected.

Three weeks have been scheduled to achieve said goal, which is why the Foundation I capsule is nothing like those used back in the 1960’s and 70’s.

In fact in contrast to those, Foundation I is seven times the size, boasts ‘rooms’, compartments and, albeit limited, space. That’s not to say it’s going to be a comfy stay for it remains a space capsule and like all of them, regardless of size, it’s cramped, verging on too small for those who will need to call it home for the duration of their stay. And again, unlike those from the mid twentieth century, nothing will be left behind except for what they erect, the dome.

The aim, and hope, is that Foundation will eventually be capable of becoming reusable. This exact one maybe not, but by the time they get to mission six or seven when the Moon base will consist of fifteen connected domes it should be, hopefully.

“Anyone else think this thing is like Lego?” Queries Dean as he gets to work lugging lengths of prefabricated and folded diamond shapes to where the dome will be assembled.

There is no reply.

“OK, just me then.” The most junior of the trio admits feigning hurt due to the lack of response a couple seconds prior to a long burst of static blasting through the speakers in his helmet.

“Ow, what the f…” He managed prior to his voice being drowned out by the interference.

“Control to Foundation I, do you read? We seem to be getting interference.” Says Harley from her console off to Lori’s left.

“Ye… we’r… get… it… too… Contr-” The signal is broken but not so severely that they cannot make out what Ian is saying.

“Any… …ea wh… is …ing on?” Clearly the interference is getting worse but that does not stop those in Control from busily chattering desperately attempting to discern what might be the cause. There are all sorts of suggestions from issues with mics to issues with other pieces of equipment on the capsule to issues on Earth.

Alas, Mission Control’s analysis is cut short when the camera feeds show the ground beginning to shake.

As if on cue, Rachelle roars, “Gro… …haking. H… can gr… be sh…king?”

And she is right the surface of the Moon is shaking. It’s showing seismic activity but that is impossible. The Moon is not capable of suffering seismic events.

Every face turns toward Lori. She feels the eyes burrowing into her, sees them too. But honestly hasn’t got a clue what to do and so blurts the first thing which shoots into her head.

“Get back to Foundation I. Repeat, return to the capsule. Initiate emergency liftoff.”

Whether Foundation I’s team can hear her or not, Lori hasn’t a clue. Just like she does not know as to why she has shouted the order. Maybe it’s because she is panicking or maybe it’s because she hopes by shouting her order the chances of it getting through are increased. She cannot say but is pleased to see the trio hopping, the best way she can describe it, back toward the capsule.

As you might expect, Ian is leading the pack with Rachelle and Dean alongside one another two steps behind, creating a vaguely triangle formation that is growing ever closer to the cap…

The ground under Foundation I explodes into a fountain of white dust, launching the capsule up into the air, breaking it apart in the process. There is no explosion for in space you can get no fires.

The three astronauts come to stop a few hops later and watch in shock as something from underground fills the space where the fountain, and before it the capsule, had been.

Everyone in Mission Control recoils, the astronauts don’t have the benefit of being able to in such low gravity. Rather, they stare at what look vaguely like hornets with limbs composed of white triangles linked together with thin dark woven strands.

“What the fuck?” A number of people in Mission Control mutter barely under their breaths.

If Lori were not as stunned as she is she too would have uttered much the same while stood feeling deeply afraid.

Suddenly Rachelle does an about on the spot revealing that the ‘aliens,’ Lori can think of no better term for them, have surrounded her and her colleagues.

Evidently the sole female astronaut says something, but it is almost entirely lost in the interference. Only the sound of her voice breaking through, not the content.

Snapping out of her daze Lori feels compelled to order, “Run. RUN!”

She doesn’t know where the astronauts are meant to run too, especially since their capsule is floating chunks of debris moving further and further away, but that is what she feels it would be prudent to do. Alas, if they heard her demand they do not manage to react to it prior to the swarm of ‘aliens’ descending upon the terrified astronauts with slashing frenzied limbs.

Screams are all that manage to penetrate the interference, the static, and somehow one of the cameras continues to function. It’s the one on Dean’s suit. The others have been shredded. And so Mission Control has to watch, through a cracked lens, as millions of these things pour out of the surface of the Moon.

Terror is all that those stood in Mission Control feel. Some have their hands over their gaping mouths, others do not. Many gulp; a few shake their heads absentmindedly. No one says a word. No one knows what to say.

Regrettably the ‘aliens’ do not remain gathered like a swarm low above the Moon’s surface. Rather, they quickly climb higher, disappearing from view.

“D-director…” Someone blurts stuttering and afraid a while later.

Without thinking Lori replies, “Yeah…”

Her head turns in the direction of the call some period afterwards, once nearly all of the hornet-like things are out of view. It’s clear who wanted her attention, Kevin, for he is the only one looking her way instead of at the feed on the display wall.

“What is it?” The Director mutters louder than is necessary.

“T-they look to be heading this way.” Comes the admittance from Kevin who is white as a sheet and panting.

Everyone in the room turns to look at Kevin. They can’t believe their ears. Lori isn’t sure she believes what she’s heard either, which is why she blurts, “Are you sure?”

Her voice sounds distant, hollow; similar to if she were in a sound proofed room but also not. She cannot explain it and so waits for the reply. It isn’t verbal, rather it comes in the form of a nod. Everyone turns toward her. It is obvious they expect her to say something, make a demand, issue an order, but her mind offers nothing. She can feel it working but alas it offers her no aid. It’s as if it is spinning without purpose; dazed, empty and confused. She doesn’t blame it for she certainly feels those exact three things which make no reasonable sense.

“Call the President.” There is a pause. “And prepare an evidence kit for his viewing.” Lori can think of no other order to give. And those took a great deal more effort than they should’ve to speak. Though, sound like the right move. Still, her order doesn’t feel right somehow.

Nevertheless the room explodes into a frenzy of activity. The Director herself notices none of it. In fact the next time she pays attention to her surroundings is when someone announces alarmed, “The mass is nineteen miles wide.”

The blonde Australian born woman is about to ask for more details when they are offered to her willingly.

“They’ll enter orbit in nine seconds.”

“How?” Is all the Director of Foundation I can manage.

There is no reply to her query and she is left floundering for a period that feels like hours. The period only comes to an end when she utters, “How long until they’ll arrive?”

It might not be the best way in which she could query what she means but how many ways can her single word query be taken? In her mind in one way, as it is intended; how long until the aliens reach the surface of Earth, ground.

“Tw-twenty nine s-seconds.” Is the fearful reply that comes following a quick triple check that the issuer did not believe could be accurate or true. They still don’t but having felt they could not delay any longer than they had they issued it anyway.

Feeling the floor, metaphorically, collapse beneath her feet; Lori spins round barking, “Call. Where are we on that call?”

“Waiting to be authorised Director.” Is the reply that is fired back.

“Shit!” The blonde woman snaps. She feels angry and frustrated by governmental protocol, procedure and red tape at a time where delay could be the difference between life and death.

Then, without warning, a siren begins to roar and squeal deafening everyone in Mission Control. The siren is a warning meant only for when rockets are set to launch. A get the hell out of the way and into a safe location sort of declaration really.

It shouldn’t be sounding at a time like this unless…

The world around Lori explodes, throwing her and everyone around her off their feet. The Director is sure this is the end, not just of her and her colleagues but of Earth. She braces herself and waits for death.

Sociopath

People are dying but you do not care.
They are just numbers with eyes that now stare.
Some call it harrowing while others say cruel.
Its all a disaster over which there’s no rule.
With bodies in the gutters and stains on the street.
Those that you see might soon be dead meat.
Sorry to say but the truth is what’s left.
I could lie to your face but it wouldn’t be best.

Now face the reality…

Sociopath,
Where do you rate on the graph?
Hands of blood,
Stained like varnished wood

Sociopath,
Where do you rate on this graph?
Hands of red blood,
Stained just like varnished wood.

Screams fill the air and chokes off the breeze.
None of what is said here comes with ease.
For these were once lives that have been cut short.
Like some kind of sick type of blood sport.
And none of the whispers contain apologies.
All that is spoken about is that some won’t freeze.
Not that such ramblings bring any joy.
That emotion has been sent the way of coy.

Now face the reality…

Sociopath,
Where do you rate on the graph?
Hands of blood,
Stained like varnished wood.

Sociopath,
Where do you rate on this graph?
Hands of red blood,
Stained just like varnished wood..

Gasps from the homes of the few that remain.
Many had wished this some kind of game.
But truth is much crueller than fiction can be.
Happy ending tales don’t exist really.
For what rests here are the graves of the lost.
This death toll will never have been worth the cost.
But time flows only one way and we cannot go back.
What few of us are still breathing did not deserve that.

Incision

Incision,
Is not vision.

What we have cannot be.
This universe of spin theory.
And once you stop you may fall down.
That will lead to permanent frown.
Though do not fret and start to fear.
All that stands can grow my dear.

Words carved into porous stone.
On wings of ash they were flown.
Brought down from the deity sky.
Ancestors even waved the angels bye.
So question this and fall from grace.
Then wallow in the void of space.

A darkened pit within a cave.
At no point will you feel brave.
It sucks the light right out your chest.
Then spits you through to be compressed.
Not to call it an end to life.
In truth it is general suicide.

Non-Vision

Standing as a spectator watching it all unfold.
What I see is not carved in stone like commandmants of old.
Choices are prevalent if we look past the skin.
Refusing to pause will be what does us in.

Winding through the endless halls of cages we did cement.
Each one of these capsules has its bars bent.
For man insists on breaking out of its confines.
Except when they are self-imposed and then we call them kind.

But why is that a solution?
And where is the contribution?
Cause our time is running short.
Too little action might leave us drowning the word abort.
Spin the wheel one final time.

Sailing on the open ocean with wind in our hair.
Look around at the water with nothing but a stare.
Fear grips at your chest as you realise no time is left.
All of our advances have been in pursuit of ignoring this internal theft.

But why is that a solution?
And where is the contribution?
Cause our time is running short.
Too little action might leave us drowning the word abort.
Spin the wheel one final time.

Mirror on the mighty stone carved wall,
What remains will kill us in the fall.
Abandon faith in what can’t be fixed.
This revolution might be mixed.
A passion project bathed in blood.
Not something that is understood.
Moments from a bygone era.
Each day does not get clearer.
So why fight against the flood?
Instead we should rid atop driftwood.
Seek a path that won’t bring disaster.
Otherwise we’ll just sink so much faster.
Its been said before but must be announced again.
Our system is what must do the changing.

Mother’s Wail

Lashing on the window pane.
Alongside the drip, drip, drip of rain.
Howling winds screech like a beast.
Akin to that which yearns to feast.
Severity is never lacking.
It’s like the Gods teeth could be chattering.
And shelter always seems so far away.
It’s why you feel the sting upon today.
Soaked through to your very core.
Thankfully there’s no angry roar.
Cause if rumbles and flashes come…
It might spell a coming undone.
And in this eve of extreme weather.
I’d rather be left with a respite clever.
An eye at the storms centre.
The place where you will wish for peace forever.
The calm will be fleeting.
And once its over returns the beating.
Tearing gales that cut right through,
Clearing out all of you.
It lasts so long you think it might become eternal.
So rest your head and ignore its burble.
Even though it is in some way soothing.
Rest is not the same as snoozing.
And we all need a good night of slumber.
If we fail then maybe the storm will tear us asunder.

Noxback

This weeks story is very different. I know I’ve said that before but this is nothing like I’ve written previously as it is not Sci-Fi or fantasy. Though, it is absolutely fiction. Set in the present, its a life lesson/comedy (well I find it funny) piece that I would love to tell you more about but think if I did would only succeed in ruining the point of having written it. So, how about I zip it and we get into, Noxback? Yeah, that’s what we’re going to do.

Sebastien Knox, television presenter and media personality will today embark on a ‘journey’ to discover some of his long lost and unknown ancestors as part of a popular programme shown on the TVC station.

For the life of him, the thirty five year old with green eyes and short brown hair perfectly styled, cannot remember the name of the programme. He should be but has had other, far more pressing in his mind, matters to contend with. Still, he’s made sure, as ever, to be immaculately dressed in a dark suit, and be clean shaven.

Seb, as everyone calls him though truth-be-told he hates it, can think of nothing worse than venturing outside of his home, a four bedroom affair out in the rural countryside, with stubble, or worse still a beard. He hasn’t a clue why men grow beards, they’re messy, a pain to care for and far too common for his liking. It’s a trend, a fashion statement, he knows it and like all trends it will fall out of favour at some point. He’ll be pleased when it does, though likes the idea of being in the ‘minority’ with his chiselled chin on full display for everyone to see.

Striding through the revolving glass door of TVC’s office and studio centre he takes in the tasteful décor which in no way alludes to how much money the network station has at its disposal. If it did the foyer; wide, tall and dotted with plush sofas and a couple coffee tables, would be packed to bursting with gaudy statues, freestanding artworks and other bourgeois nonsense. He is overjoyed that it is not.

Gaudy has never been his M.O. In fact, Seb has spent his adult life railing against it. Often calling people out for their, rub it in your face, possessions. And yes, for that many have called him a hypocrite, seeing as he is a man who has chased the highest paycheck anyone has been willing to wave in his face throughout his career.

Yet, none of that is important right now. What is important is the presence of the reception desk, in TVC known as the information desk. Seb has to resist rolling his eyes upon noticing that one for it doesn’t sit well with his opinions at all. So forcing the contempt he feels for the term aside he completes the rest of his walk to the desk. Its solid wood he learns upon arrival. He hasn’t a clue the type or if the desk design has a name and doesn’t rightly care. Interior decoration, corporate or personal, is not really his thing. People have attempted to lure him into such conversations and every time he’s made sure to extricate himself as swiftly as possible, often bluntly stating his disdain as he does. After all, there is no swifter way of ending a part in something unwanted than to be blunt and to the point.

The young man behind the desk greets Seb during the latter stages of his approach, making sure a wide smile is affixed across his bearded face.

“Good morning sir. How can I help you today?”

To be honest Seb wishes the… he hasn’t a clue what their actual title is but he’d use receptionist, wasn’t quite as cheery or high-pitched as he is. And no, his issue with the tone isn’t purely because the man has a beard. Simply, Seb thinks it is too early, a little after six fifteen in the morning, to sound quite as up-beat as this man does while standing behind the desk in semi-formal clothes with a too-white smile, bleached blonde hair which flops about as he moves and a pair of dark brown eyes.

Nothing like making it obvious you aren’t blonde, guy. That is what shoots into Seb’s mind a quarter second prior to him issuing his reply.

“Morning. Sebastien Knox; I’m here for…”

The presenter never gets chance to finish for the receptionist interjects, “Yes Mr Knox, we’ve been expecting you. Welcome. Let me get your badge. And if you could just sign in using the tablet there.”

The blonde guy behind the desk gestures, vaguely, toward the upright seven inch tablet mounted to a metal stand that is in-turn bolted to the desks surface.

The presenter, and guest, eyes the tablet wondering what the issue with an old fashioned book and signing it is. He hasn’t a clue but alas he must conform because there is no other way he’s going to get to where he’s headed if he doesn’t. He knows that for a fact and so begrudgingly sidesteps over to the tablet and taps the screen. In return he is presented with a welcome paragraph that he cannot help but sigh at the presence of, and then begins to read.

“You don’t have to go through that Mr Knox. That’s for non-TV people. You can just hit continue at the bottom, if you like.”

Running his tongue along the tops of his teeth Seb considers asking; then why didn’t you say that before, but he doesn’t. It might be better, he thinks for now, if he bites his tongue. After all, who knows how the blonde receptionist will react.

His brain whirs as if about to recall past events similar to this one but he overrides its decision.

He doesn’t care to consider past events. He is well aware of what happened and how it relates to this and that. All he wants is to get to the set he’ll be working on today, which is why he jabs a finger into the continue option.

There is a pause, the tablet locking as it considers the request. Seb is about to ask if this is normal when suddenly the slate shaped electronic leaps into life and presents him with a series of options. Unable to help himself his eyes roll. The security guard, a woman with short black hair down to her jaw catches his reaction but shows no reaction and leaves the guest and presenter to query, “Which option do I need to press?”

“Oh, well um…” Clearly the receptionists’ knowledge extends no further and so Seb assures, “Its fine. I’ll work it out.” Then under his breath he mutters, “Cause you clearly don’t have a clue.”

“What was that Mr Knox?”

“Nothing; I’m just talking to myself.” The brown haired visitor assures while cursing and wondering how the receptionist caught his sly dig uttered at barely a whisper volume.

A quick scan of the options follows, culminating in a decision by Seb that the third is the one he should pick. He thinks that’s the most appropriate but soon learns he’s chosen poorly as he is asked to enter the name of the contractor who serves as his employer.

Another quick scan of the display sees him locate a back option. Mercifully, there is no resistance or hesitation from the tablet this time, though it does mean he is right back where he started.

Again he scans the options and this time selects the final one. It doesn’t seem like it would be appropriate and yet immediately he learns that it is indeed the one he requires. Shaking his head instinctively he enters his name and then signs the screen with his finger. It looks nothing like his signature but it’ll have to do.

“All signed in, I see. That’s great! And here’s your badge.” The small rectangle of paper clamped between plastic is presented to Seb, who takes it and uses the clip to attach it to the pocket of his suits blazer. He isn’t thrilled that it says visitor in large bold black letters but he can’t argue the fact that a visitor is precisely what he is.

“They’re waiting for you in studio nine. This place is a maze so I’ll get…”

Now it is time for Seb to interject over the receptionist as he assures, “I can find my way.”

A winning smile, forced and insincere, he thrown out which he hopes will make his point. If it doesn’t then he’ll have to spell it out to this blonde man who curiously is not wearing an ID badge himself. The presenter wonders if it’s purposeful or accidental. He’s leaning toward the former, on the part of the individual and not TVC as an employer. Yet, the man has been professional enough that Seb doesn’t have cause to put in a complaint. Though, without knowing his name even if he wanted to it would be almost impossible, unless he described who he was making the complaint against. And for all Seb knows there could be a number of similar looking men working at TVC. It wouldn’t surprise him in the slightest if that were the case.

“I’m sorry Mr Knox we can’t allow you to go unescorted, company policy, I’m sure you understand.”

This time Seb detects a hint of condescension, he ignores it, mildly impressed because he didn’t think the receptionist would have it in him. Still, if the presenter ever learns this man’s name he’ll be sure to get him fired. It’s nothing personal; well it might be a little.

“Marissa, can you escort Mr Knox for me please?”

The receptionist asks having turned toward the nearby security guard who replies with a warm smile, “Course I can. It would be my pleasure. Mr Knox, would you follow me please?”

Immediately Seb decides he prefers this Marissa to the receptionist.

“Of course, lead the way Marissa.” The presenter making sure he sound as happy as larry about the prospect. He even adds one of his award winning, but very forced, smiles as he gestures in a sweeping arc with his arm.

Without further delay, or an opportunity for anymore obstacles to be placed in his path, Seb and Marissa depart heading for the relevant studio.

Seb is very pleased to see the back of the receptionist, but waits until they are definitely out of earshot before querying, “Is an escort really necessary Marissa?”

The presenter learned long ago it is best to ‘overuse’ someone’s name rather than underuse it. Doing that helps to build a bond whereas seldom using it tends to grate, even if not admitted verbally. It makes it sound as though you are going through the motions rather than having a conversation and so Seb makes sure to say someone’s name as often as he thinks it works.

Some people take it too far to the extreme and insert it everywhere. That isn’t overuse, not in his mind, that is repetition because you are either bad with names or, more likely, don’t care but want it to seem as though you do. Something Seb had definitely been guilty of early in his more than decade long career in television. So yes, his current tactics are learned because no, he doesn’t care, he simply knows it’s better to look as though he does.

“I’m afraid it is Mr Knox, TVC policy.” Is the honest friendly reply from Marissa as she leads, by a half step, the way toward studio nine. Yet, her answer has given no more detail than was already provided to him by the receptionist with blonde hair.

“Have any idea as to why that is?”

“Something to do with previous issues but I’m sorry Mr Knox they were prior to me joining and no one wants to elaborate past that, I’m afraid.”

Unhelpful, Seb thinks. Not from Marissa but from TVC themselves. Though he isn’t surprised and can guess what the ‘issues’ might have been. Corporate espionage, of a form; and yes, it happens in television. In fact, it is far more difficult to hold ownership over an idea, a format sure, but not an idea and TV largely revolves around ideas.

Of course, it revolves around formats too, but they can be tweaked and altered just enough that they pass without the possibility of being pulled up as infringing.

He is well aware he could explain that to Marissa but isn’t inclined to. This is idle chatter he’s partaking in. Something to avoid what would otherwise be an awkward, and long, period of silence.

“I see, so how long have you worked here Marissa?”

“Three months in all Mr Knox.” The reply is not surprising to him in the slightest for the dark haired woman still has that new, chirpy, attitude which tends to come with anyone who is fresh into a position. That’ll change once the corporate structure has beaten her down some.

“And how are you finding it?”

“It’s been great so far. I get to see quite a few celebrities, meet people like you…” Seb resists the urge to ask what Marissa means by people like him because it seems she doesn’t think him a celebrity.

She means nothing by it, a voice in his head insists. He isn’t so sure but decides to accept and let it slide, for now. Another hint toward some kind of slight and he won’t.

Freeing himself from his internal debate Seb realises Marissa has finished giving her reply. He didn’t hear the rest of it, but doubts it matters. It’ll have been platitudes and naivety about how wonderful everyone is. He’d like to see if she says the same, and in the same manner, once she’s been doing it for a few years. He doubts the response would be the same then and has to suppress a smile as a result.

“That’s marvellous Marissa…” They turn down yet another corridor. Seb can see one reason as to why he has been given an escort; this place is a rabbit warren. If he’d gone off on his own he absolutely would’ve ended up lost and without a number for the director or a member of his crew there is no telling how long he could spend wandering about aimlessly.

So while he hates to admit it, it does appear as though there was cause for the receptionists’ insistence.

“…and what sort of plans do you have for your future? Remain in security; maybe become a manager, run a own shift, company?”

“Oh I don’t know Mr Knox, I haven’t thought about it. I will but only once my probation is up.”

“And how long will that be?” The presenter queries feeling his patience growing short as he begins to grow weary of this conversation and the lack of ambition from the young woman walking beside him. It’s enough to make his eyes roll; he forces them not to, but does not understand people who make excuses as to why they can’t plan for what they want. If he’d been like that he’d never be where he is today.

“Another couple months but my supervisor seems positive so…”

Oh God, here come the considerations. Seb is regretting asking the question and is thankful when Marissa interrupts herself to advise, “Oh look we’ve arrived.”

She sounds more shocked by that than the presenter thinks she rightly should. Still, what goes through his head at the loudest volume is; thank Christ.

While he counts his blessings Marissa scans her badge to grant access into the studio beyond. She holds the door open for Seb who steps through offering his thanks, though not feeling her presence alongside him he turns and blinks a tad surprised that she has remained on the other side of the threshold.

“It’s been nice to meet you Mr Knox, I hope everything with the programme goes well.” A sincere smile is sat across her face.

Seb suspects as security she isn’t allowed into the studios unless explicitly given permission. Whether true or not it marks a clear end to their dynamic and so he offers, “Thank you Marissa for getting me here and for your company.”

With that Marissa nods, turns and departs, the door left to swing closed as she strides down the corridor heading back the way she came, but alone this time.

Seb meanwhile lets out a sigh. He remains unsure as to whether, now that he is here, doing this programme is the best thing for his career. Alas, he knows he has little options besides this. That is why he turns and then strides deeper into the studio, heading toward some scattered members of the crew who are a little ways into the massive space.

Societal Shift Through Bribery, Mergers And Brainwashing Advertisements

Corporate exploitation.
Enslaven the population.
Make them dependant on the items you sell.
Regrowing independence shall never be a will.
For what they want is overreliance.
Stamp out all notions of freethinking defiance.

Money is the key,
To souls of misery.
Rot lives in the lungs,
Choking off you and them.

Business amalgamation.
Punishment for insurbordination.
What you smell is what they give you.
Remember it will only be yours for a few.
So breathe into the filth choked vacuum.
Will wish your body could taste no death fume.

Money is the key,
To souls of misery.
Rot lives in the lungs,
Choking off you and them.

Hard work reaps no reward.
Prosperity exists only for the board.
Sing these words and make them yours.
Its all that will be left when the cards are called.
Doubt you feel the urge.
If you do you’ll face the purge.
Be wiped clean from under their boot.
Every point you could make is already moot.
For you like me mean nothing to them.
They can afford to buy everything.
And we are but a tiny splinter.
Too miniscule to affect this blinker.
Limit on freethought and will.
Soon they force feed you the most bitter pill.

Money is the key,
To souls of misery.
Rot lives in the lungs,
Choking off you and them.

Not counted among the crows.
They take away all that you might know.
Don’t allow success for you on the test.
For you are just a statistic without a value explicit.
So accept your place and submit.
Standing strong is against what they are willing to permit.

Tools Of Future Oppression

You are ordered to reveal where you stand.
Comply with the issued command.
Those two lines I dread to hear.
If they find me now I’ll be split from front to rear.
Mercy is not something that they possess.
They simply carry out orders without redress.
Seen it before so many times.
Mechanical servants that commit crimes.
But law states machines are exempt.
Can’t perform an act of hate or violence.
Its how corporations enforce their will.
And if you speak out of turn it’ll be you that they kill.
Money talks loudest and its more like a scream.
Its why no one believes in a national dream.
None of that helps as I am trapped.
Stuck in a corner soon to be capped.

These machines fit the name robot so well.
Skeletal bones without a mortal shell.
Voice so synthetic that it chills to the bone.
If only they hadn’t jammed the phone.
I might have been able to call for a ride.
Have a chance to get out of this alive.
Then I heard the announcement so clear.
The chilling sound filled my ear.
Raising my head I was met with steel.
A second later I tried to make a deal.
Too little too late and the trigger was pulled.
Before I could react my world was dulled.
I am death and it has now become me.
That is why I now lie as flat as can be.
Surrounded by a pool of blood that’s growing wider.
This is the norm and a daily reminder.

Crime Scene

Laying flat out on the floor,
No life in them anymore.
Outline around the body.
Something about this seems staged and dodgy.

Seventeen scrawled on the brick.
Its like someone is taking the mick.
But this joke is in no way funny.
Whoever was responsible was sick and scummy.

Autopsy reveals nothing much.
Maybe I’m just out of touch.
Retirement is coming and I’m tired.
Perhaps it would be better investigated by someone inspired.

I refuse to let this be the one.
Rather stand before a crook with a gun.
Cause this psycho isn’t winning this.
Can’t be forever where there is nothing amiss.

Three days later another call.
Rush to the scene to see the gall.
Whoever’s the killer is one sick fiend.
Could be they’re even worse than I dreamed.

Poor young guy torn to shreds.
Little more left than bloody threads.
It was a sight to have to behold.
And right on the corner is so damn bold.

Unlike before we get a trace.
At last a lead to chase.
Started to think it would drive me insane.
That all the death would rot out my old brain.

Get a hit that leads to an address.
Modern tech I again do bless.
Without it this monster might have got away.
But that will not be how it will end, ok?

Rush to the building with no pause.
Stack and storm like snapping jaws.
Search the building and only find a note.
Its pure mockery taunting us with a gloat.

Suddenly I’m hit by the greatest thought.
I exclaim I know how to get them caught.
Colleagues follow close behind.
As we travel I explain how we will detain.

The rest you know cause now here you sit.
Thought you’d got away with all of it.
But in the end you were just too cocky.
And that arrogance made you so sloppy.

Not that it matters much now.
For you are locked in this tiny cell.
Case is built and its airtight.
Soon you will be setenced for all your violence and spite.

Grime

Search for items, search for things.
In this room filled with rings.
The shine is bright beneath artificial light.
Stay here too long you’ll go blind from bright.
Its the truth and you know it too.
This mess created was down to you.
Filth washes across every inch.
Why you are now in a pinch.

You aim for pause, you aim for peace.
Already signed a warfare lease.
Pity you sold what little you held dear.
Because of that there will only be failure here.
Piles of trash blanket the ground.
Soon your body won’t be found.
Still breathing in the toxic fumes.
Have you never heard of brooms?

Compacted and distracted.
We all wish it was redacted.
Sick of the rot and the stench.
Why is this an odor you quench?

Seek out hope, seek out dreams.
Before the muck turns to streams.
Bile that runs across the floor.
Its why no one visits you anymore.
Even if chaos is good in small doses.
Seems you didn’t get that process.
So get a grip and make a change.
Before the setting in of mange.

Compacted and distracted.
We all wish it was redacted.
Sick of the rot and the stench.
Why is this an odor you quench?

Search for items, search for things.
In this room filled with rings.
The shine is bright beneath artificial light.
Stay here too long you’ll go blind from bright.
Its the truth and you know it too.
This mess created was down to you.
Filth washes across every inch.
Why you are now in a pinch.