Distress

Story day is upon us again! I’d call this a Sci-Fi horror. Got inspiration for it from Event Horizon and Sunshine, which are both really great films. Anyway, it’s a long one at about 24,400 words. Oops! Might have got carried away again, but it could have been longer. I cut some bits out from the outline because I didn’t think they fit with the flow of the actual story when I was writing it. That’s enough from me now though. Let’s get on with, Distress.

Linda Jimenez, Captain of the recovery vessel Prowler, steps over the threshold of the open doorway from her personal quarters and into the corridor that links the various sections of her ship together. She is dressed in standard Command issue fatigues. They are grey in colour with bars around the collar to denote her rank. Her shoulder length black hair is tied back in a ponytail. The style is purely for function as it keeps her hair out of her face. There is nothing she hates more than ending up eating her own hair or being unable to see because it insists on covering, at least a part of, her vision. Usually that happens at the worst possible time, when she is most in need of concentrating.

Still, that makes no difference to her current issue, which is that according to Command leave for her and her crew has been cancelled. It sounds worse than it is. Not because the crew don’t deserve some rest and relaxation, they do. But it sounds worse because cancelling leave in Command terms actually means postponement until the latest mission, which she has just been issued with, is concluded.

Linda has to admit she is not sure how she is going to break the news to her crew. She reflexively hits the button to the left of her door, if she was looking at it, to cycle it closed. A second later is obliges and emits a low hiss that sees the metal slab slide over the opening and then lock. It’s a system that exists throughout the ship. Most doors, bar those of crew members’ personal quarters, stay open at all times. After all, the automatic pressure doors are really there to ensure that if there is a hull breach it is possible to seal that section off and not lose the entire ship and its crew.

Linda can’t delay however. The mission Command has tasked the Prowler with has been designated of high priority, which is no surprise seeing as leave has been postponed as a result. And though she is plodding, slowly, the four metre stretch of corridor to the bridge it isn’t far enough for her to have any hope of discerning what she is going to say. After all, she can already imagine what the response is going to be. Seven months without leave and Linda can in no way blame them for the response she is surely going to be met with.

In fact, their reaction to the news will likely be much like her own reaction was as she spoke to one of the Majors; she can’t remember his name, who issued her with the order. He hadn’t been sympathetic even before she made her impassioned pleas that her crew really deserve this R&R after so long out in the cold depths of space. Her words had, unsurprisingly, fallen on deaf ears. The Major simply reminded her who was in-charge and then without warning cut the transmission. He didn’t even wait for the data to finish sending, which is the norm.

If only severing the comms link had also severed the data transfer, she thinks. It doesn’t, unfortunately.

However, as Linda closes on the open rectangular shaped hole in the bulkhead that is the doorway between the corridor and the bridge, she hears her crew chatting.

“So what you got planned once we dock Ville?” Francesca Guletto, one of the two security personnel on the Prowler, asks from the far left side of the triangular shaped bridge.

Though Linda cannot see the woman she imagines that the junior security officer is stood on her feet, arms braced against her console. She rarely sits, except during jumps and that’s only because she has no choice in the matter. Unless she wants to be thrown off her feet and slammed into the deck, head first.

“I don’t know, sleep for a month maybe.” Is the partially sarcastic reply that Ville Welch, pilot, fires back in reply from his usual seat at the front facing tip of the bridges angular shape. His back turned to Francesca not because he needs to concentrate on the viewscreen that is relaying the image of space from the hull mounted camera, but because it’s just how Ville operates. He has dedication to his job. Perhaps too much at times, but even he, Linda is sure, will balk at this development. But orders are orders and it’s not like they were given much choice. After all, it’s the price you pay being a crew under the intergalactic spanning defensive arm of the Unified Governments. They don’t call themselves a military, but that is not to say that many of their ships aren’t armed, they are. The Prowler however is not one of those vessels. It is a recovery ship, plain and simple. If it had weapons, well half the crew wouldn’t be serving on it. They aren’t soldiers, after all.

“You do know we’ll only get a couple weeks at best off.” Hector Liu, medic of the Prowler, remarks with a furrowed brow as he stands in what he has made his current spot of choice. He doesn’t have a place, per say, on the bridge of the Prowler. Instead, he just hangs around. But right now he has his left hip pressed up against a protruding support arm on the far right side of the bridge.

At that moment Linda crosses the threshold and steps into the confines of the bridge. It isn’t remarkable in any way. No recovery vessel is. But this one is hers and though there is very little to look at, seeing as most of the walls are comprised of electrical panels, pipes and supports, she couldn’t imagine being anywhere else. As a sixteen year veteran of space traversal she still has many years left before any talk of retirement will come her way. She’s pleased about that, but not about what she’s going to have to say. She isn’t even sure what she is going to say, or who she is going to go about jumping into this conversation to then start.

That is why she is relieved when Iain Francis, the other member of the ships security detail, announces, “Captain on the bridge.”

An instant later the crew stop their chatter, stand at attention and deliver stern salutes. Linda replies with a quick, half arsed one of her own and then utters, “At ease.”

After all, there is no reason to stay on ceremony when it is just them. She knows they all mean well and have pride in being a part of Command. But that doesn’t mean she has any intention of being one of those commanding officers who forces her people to stick to the rules, however redundant they might be at times, while it is only them. If you try things like that then you are going down the sure fire route of becoming one of the most despised CO’s in the whole galaxy. She served under a man like that once. It was miserable. That is why she swore she would never be the same once she got a captaincy of her own, and thus far she’s succeeded.

During the next few seconds Linda debates whether to just get on with it or first take a seat. Her conclusion is the latter. According to procedures that will then allow her crew to do the same and she’d much rather they be seated while she gives them this news.

So she quickly steps around her centrally placed captains’ chair and then lowers her average frame between the uncomfortable metal arm rests until her backside is perched carefully on the thinly cushioned seat. It’s a reminder as to why Francesca insists on standing as much as she does and Linda can’t blame her. Though, it still makes her wonder how Ville gets away with it. He’s always sitting, except when he has to stand at attention. His backside must be made of steel, is the thought that goes through the Captain’s head in the moments before she clears her throat in preparation to speak.

All eyes are on Captain Jimenez. They haven’t a clue, any of the other five crew members what she is about to say. Linda has made sure that her expression and body language give away nothing.  As no matter how downbeat she is about her orders she has to keep her crew on task. They get to show their disappointment, as a captain, she does not. At least not in front of them she doesn’t. In private, or while alone, is another story altogether.

“There’s been news from Command.” Linda announces unsure of how else she can begin.

Though, at seeing the faces of her crew drop in the seconds that follow her having finished her opening line she realises that her choice of words leave a lot to be desired. They might not know the reason but it seems they can guess what the next words out of their captains’ mouth will be. Still, Linda has to say it. She can’t leave it like this. It might not be as bad as they think it is, it is but they don’t know that until she explains.

“Command has issued us with new orders. We are to rendezvous with a ship named Namora. It went missing four months ago while on a routine transport run, but has suddenly reappeared signalling distress.”

Linda hasn’t expressly said that leave is ‘cancelled’ as had been the wording put to her by the Major who issued her with the orders, but it is implied. And everyone in the room is more than capable enough to work it out for themselves because of what she is not saying.

That is why Hector quickly asks, “And what are our orders Captain?”

The medic with his short black hair and brown eyes makes sure to keep it professional. He usually does, but sometimes he comes across as a little rigid as a result. Perhaps Linda shouldn’t be surprised. He is the newest member of the crew. He probably, even after nearly nine months, still feels it to. Still, she wishes he would be less mechanical with his replies, except for right now. Right now it helps. At any other time, it leaves him open to mocking.

“Command wants us to dock, rescue if necessary, assess and secure.” Is Linda’s honest and concise reply to the question that Hector might have asked but that was on everybody’s minds.

She casts her gaze around the room to study each of the faces of her crew. Their expressions are what she’d expect, disappointment barely concealed by duty. It’s why she soon asks, “Any questions?”

There is a pause. It’s uncomfortable and awkward. And during it glances are exchanged. Yet, it seems no one wants to ask the one question that is on their minds. That is until Francesca, seeing no other option, decides to take the plunge and query, “Is leave cancelled Captain?”

Linda has to resist the urge to smile. She can always count on Francesca not only to be the outspoken one but to also always come at something from the angle of worst case scenario.

Some people would think that makes the junior security officer a pessimist, but Linda instead believes the younger woman with brown hair cut into a bob and green eyes is simply coming at it from a direction that of: if she considers worst case then anything not that worst case is then a welcome surprise that softens the initial blow of what she considered was going to be the outcome.

Still, Linda has to advise, “No Francesca, leave is not cancelled. Command has delayed it. Once this mission is done, we dock with Alpha Station for three weeks of uninterrupted leave.”

The response to her assurance is much what Linda would expect, split. She can’t blame them. After all, there is no way of knowing whether Command will, once this mission is done, simply make another demand that further delays their much needed downtime. It wouldn’t be the first time it’s happened, even to her own crew. Though, the last time it did Linda had not been a captain. But that particular tour had lasted nearly thirteen months.

No further questions are uttered following that, so Linda orders, “Places people.”

With that her crew quickly shuffle about, resuming their positions. Except for Hector who lingers about as is normal for the one member of the crew who doesn’t have a position up here. If Linda were a different kind of captain, stricter with procedure, then she’d probably order him back to the med bay. But she isn’t and so doesn’t. Instead, she advises, “Tasha, sending you cords now.”

“Ready Captain.” Is the simply reply from the auburn haired navigator of the Prowler in the seconds before she gets the coordinates and then busily settles into working on them to calculate the required trajectories for the jump that will need to be made to the apparent location of the previously lost Namora transport ship.

Tasha Portnoy’s green eyes scanning back and forth as she double and then triple checks the data. Once the woman is satisfied that is done, she transfers it over to Ville. He offers no reply once in possession of the data. His hands gliding over the digitised controls of the console before him, double checking what Tasha has relayed to him. It’s a habit the pilot has had since his days in the academy. One he can’t get out of. Tasha had originally believed he didn’t trust her, but everyone made sure to make her aware that Ville does it with everyone. In truth, he knows Tasha’s calculations will be spot on. In all the years they’ve been crew mates, four, she has never once made a mistake. At least not one he was able to detect.

With the trajectories having briefly been checked by Ville, he injects the code into the flight system. He then watches the system like a hawk, his blue eyes staring intently until finally the code takes and rapidly builds to a correct completion. Following that he informs, “Ready for jump Captain.”

His voice is calm, monotone yet rich as he speaks. His blond hair remains rigidly in place due to how short he keeps it trimmed. He didn’t turn in his seat to look at Linda as he spoke. Because of that alone the captain of the Prowler has to suppress a smile. Any other captain would have long since issued him with a reprimand for such things and when he’d first came to serve under her he had in fact got four. Linda hadn’t, until that point, known that you could have more than three reprimands on your record at one time, but somehow Ville had managed it. His former CO had even said that he should have been ejected from the agency but wasn’t because of his exceptional piloting skills.

“Let’s get this done.” Linda says succinctly.

It’s her way of ordering the jump to be made. Not at all according to procedure, but it works as evidenced when Ville, less than a second later, initiates the jump that sends the Prowler leaping into hyperspace, heading for the last known coordinates of the Namora’s distress sequence. There is a chance that the transport vessel may have drifted since the triangulation of its coordinates, especially as Command did not give any information as to how long ago the data was received. But that is just a chance that the crew of the Prowler will have to take and they all know it as they settle into their positions, while they run continuous scans and routine checks of not just the onboard ship systems but also of their surroundings. They won’t be able to determine much in hyperspace, but Command operating protocols dictate that such sweeps must be made. And all so that all data documentation quotas are maintained encase an anomalous reading is detected.

Administer

Swallow the pill
Prepare for your kill
Bury some remains in the ground
Soil is dirt and we’re not proud
Dig in deeper to gain a footing
Sounds so wrong when you’re looking
But ignore the pomp and deliver a prize
When will we get to decide?
I don’t have a clue
And nor do you
Just a line in the sand
Wish it was band
While my mind does a spin
Hand me the bin
I need to throw up
Feels like an affront
Stitch the sickness into me
Might actually set me free
But before I go I need to vent
Never will I be heaven sent
Instead just a patch of empty skin
This whole swarm is wearing thin
Just let me escape this hellish terrain
The one I conjured inside my brain
Cause these capsules are a curse
And I want no more of this herse
Self-inflicted from the start
Now I will quickly depart

Trauma

March across the fields of the dead and gone
Chant about how you will save the song
Question all you can about the heart in stone
As you realise you are far away from home

Ready, aim, fire with only rage fuelled desire
While the cries ring out about the lies of empire
No more taunts about how to start the fire
As the booming sound drives you wilder

Soaked in mud from the pits of doom
While the crows cricle to the same old tune
Echoes of how you have become a loon
Pray that this hell will be over soon

So with shattered body and a warped mind
Drag yourself through to illuminated skies
Then seek a home upon the empty shores
A place where you are free of wars

The shellshock hate still hold your life
Its why you can barely sleep at night
And when you do you scream aloud in fright
Because you’re afraid most when the moon is high

Misdirection

Will you listen to reason?
Or just keep stealing
Hold a torch to the flame
Instead of just blame
Walk a mile in my shoes
And not keep moaning
Or are just too busy stoning?

There are no clouds in the sky
But you keep say they’re coming
You sat for a while
And I don’t see anything
Do you even believe…
A single word you’re saying?
Or are you simply just flapping?

I have no time for claims
But you still keep them coming
A life lived in chains
Refusing to help with your brains
Staring at the clock
How much time have you got?
But I get no answer to any of it

So just start at the end
The only part you can’t bend
Walls are closing in
No proposition
Just a smile in a flash
No way to go back
Why won’t you say a thing about that?

Gods Or Monsters

There is a place deep inside the skin
The one from which our life is flowing
But instead of aiming to make it strong
All we do is keep carrying on
Taking shots to kill our brain
Unravelling in all our pain

Are we the monsters?
Cause we are not gods
Are we the demons?
We keep on screaming

Down in the depths where so many hide
There are the tales of life gone awry
We’ve heard them all but do not a thing
Instead we simply carry on living
Ignore the disaster heading our way
Soon we will be forced to pay

Are we the monsters?
Cause we are not gods
Are we the demons?
We keep on screaming

Misalign and forever refuse to fix
All of this is deep in the mix
Not a soul fighting hammer and tong
We are everything that could be wrong
Just selfish wrapped in skin
The cause of each massive failing

Are we the monsters?
Cause we are not gods
Are we the demons?
We keep on screaming

Fade out and finally die today
That might be what’s best really
Just a contagion without a cure
Nothing left could be called pure
Simply a wound open and weeping
We are the epitomy of cruel bleeding

Are we the monsters?
Cause we are not gods
Are we the demons?
We keep on screaming

Another line drawn in the sand
Nothing we do will ever be grand
Too busy fighting in our own heads
Wishing that each other was dead
What a waste of precious time
Not a being can claim to be fine

Death Of Gods

I’m here again with another Wednesday story post. And this time I have a long one for all of you (about 21,000 words). It was never intended to be as long as it is but I got a little carried away. Anyway enough of that. This is a story about how power can corrupt and what happens when it does. It’s a violent and twisted tale as a result and so without further delay I give you, Death Of Gods.

There is a gentle wrapping, three times, upon a badly faded white painted wooden door. The door has clearly seen better days as sections of the white paint are missing from the corners, as well as along small strips at the edges. These flecks of missing paint reveal glimpses of the dark wood stain underneath, while the doorframe itself has begun to yellow due to years of neglect.

The reddish brick walls the frame is fastened to reveal nothing of interest other than that the building is of an older construction. You see, bricks aren’t used anymore when building within the confines of this city. The reasoning behind it is simple, time and money. After all, brick buildings require not only an army of workers to lay and level the bricks, but also an entirely separate and nearly as populous group to facilitate in that process by doing things such as transporting the very same materials around site, or by helping to mix the cement that keeps them bound together as they are stacked atop one another.

By contrast, metal frameworks are quick and easy, and though their initial cost is much higher, the speed with which they can be erected more than makes up for it.

However, let’s return to the door. After all, someone has knocked upon it on from out in the corridor. The same corridor that not only links all the apartments on this floor together, but that also in turn links to the stairwell which runs the full height of this building.

But, seeing as there has been no response to the gentle triple wrap from anyone inside the apartment, another stronger quick succession of knocks is soon delivered.

This time the response is a groan and it comes a short while before Hayden Wilkes, more commonly known as Headshot, shifts his muscular two hundred and eight centimetre tall frame from the stained brown couch he’d been laid upon and over to the door. Once there he slides the paint stripped security bolts, all four of them, back before grabbing a hold of the door knob and then wrenching the door open to enquire, “What?”

Almost immediately Hayden takes note that the person responsible for knocking on his door is a pizza delivery guy. He looks young, barely old enough to drive. His face littered with red spots marking him out as an adolescent. And to make matters worse his face also shines under the overhead lights of the corridor.

The pizza guy is dressed in a colourful jacket meant to suggest that whatever pizzeria he is from has links back to Italy. Hayden has no clue whether it does or not as he doesn’t particularly care.

But, at the sight of Hayden the pizza boy gulps. The guy before him is huge and angry looking as he stares with blue eyes right at the delivery guy who feels like maybe he should just run off without saying a word. He doesn’t know why he always gets the big angry folk who always seem ready to break his bones when they open the door. Why can’t he run into a girl, a guy like him or some little kids? Everyone else that does deliveries for Franco’s Pizzeria seems to. Or at least that is what they claim. He has no way of knowing for sure if any of what they say is true, after all.

“A-are you…Hayden Wilkes?” The pizza guy stutters finally.

The silence before he spoke was long and by the increasingly furrowed look on Hayden’s face he is sure this not only has to be the guy, but that if he had delayed talking any longer he might have ended up with a fist in his face. It wouldn’t be the first time that has happened to him. Not by a long shot.

“Yeah, who’s asking?” Hayden replies as he flexes his wide jaw. His flame red hair bristling slightly due to the corridor window that still hasn’t been fixed. Not that Hayden cares. After all, you get what you pay for and this apartment complex is a dive. It didn’t used to be but that’s what happens when dedicated people sell out to shady characters. Still, the new owners know better than to mess with this former boxer. That’s mainly because he’d made his point early on, back when they’d tried to up his rent to five times its current price without reason or thought. There’s no chance they’ll do that again, especially after Hayden made sure that one of the brothers will have to eat through a straw for the rest of his natural life.

“I have a pizza for you sir.” The delivery guy comes back in the awkward moments following a loud gulp that Hayden could hear. The former boxer resists the urge to smirk as he continues to look down, quite literally, at the teenager he guesses is about one hundred seventy centimetres in height and probably sixteen years of age.

“I didn’t order a pizza kid.” Hayden rumbles in response.

He is even about to slam the door right in the pizza guys’ face when the boy announces, “Apartment Forty Seven of Bay Bell Apartments Complex, number Nine South Albert Avenue. That’s the address I was given along with the name Hayden Wilkes.”

Hayden stops, his shoulders drop and he grumbles audibly. In response the pizza boy gulps again and then begins to fidget on the spot. His feet shuffle nervously from side to side as he anticipates being met with a blow to the face, or maybe the gut. He’s ready for it. Well, he’s expecting it. He’ll never be ready to take it.

In fact, there’s a good chance that if this Hayden guy tries to he might be able to punch my head off, the pizza delivery guy, named Drew, thinks. Drew hopes that is not what is about to happen. He really doesn’t want to die today. There are plenty of things he wants to do before he meets his maker and it’s why he still wonders whether he should just run, without saying another word. He could even leave the pizza. He doesn’t care. The job isn’t worth his life.

Nearly twenty seconds pass before Hayden turns back to the kid. He can’t argue that he has the right name and address. Though, Hayden did not order a pizza. He knows that for a fact. Still, it’s here now and inhaling the delicious smell of the food is making him hungry so, as fast as lightning, he snatches the square cardboard box out of the boys’ hands. It was his own fault for having hold of the pizza as if he was about to present it. In all fairness that is the norm, but still the sudden swipe catches Drew off-guard. It’s why he jumps, almost out of his skin and through the cream coloured ceiling above.

“Th-that’ll be thirty seven fifty sir.” Drew stutters sheepishly while looking off to the side. He no longer feels able to maintain eye contact with the giant of a man before him. And to make matters worse sweat is starting to bead down his forehead.

Hayden resists the urge to curl his top lip in disgust and then slam the door in the kids face. Instead he asks, “Do you know who I am?”

Drew shuffles on the spot and then finally shrugs. It’s an admittance that he hasn’t a clue who Hayden is. The big man laughs, his voice booms loudly, filling the air. Then without warning he throws a punch with his left fist.

The strike hits Drew square in the middle of his face and spends his body flying backward into the opposite wall of the corridor. The force of the impact results in a massive boom, while his body creates a crater that shatters the plaster covering the thick red bricks underneath.

The body hangs in the air for a few moments, still embedded in the crater and then finally drops, limply to the rough wooden floor with a hard dull thud. The pizza delivery guy, Drew, is dead. His face is punched in, flattened, slightly caved as a result.

This is Hayden’s trademark. It’s how he came to be known as Headshot. And to be honest, whether the kid knew who he was or not this is how it was always going to end, especially after the price of the pizza was mentioned.

No repercussions will come from the death though, which is why Hayden sniffs loudly once, turns and then with a single slap sends his apartment door slamming shut with a loud bang.

With privacy and solitude returned to Hayden he licks his lips greedily in anticipation of gorging himself on the pie inside. He hasn’t a clue who ordered it or what kind of pizza it is. He hopes its pineapple and mushroom one as that’s his favourite. But to be honest he’ll devour any kind now that he’s feeling as ravenously hungry as he is.

However, before he gets to the kitchen area of his barely furnished and bland apartment he finds he isn’t alone. Instead, there is a woman standing right in his path, blocking him. In an instant his face twists into a snarl and just in time for him to bark demandingly, “Who are you? And what are you doing in my apartment?”

Hayden’s voice is loud and booming as he speaks. His free hand meanwhile, balls into a fist ready for a fight. It won’t be a fight. He knows that for a fact. After all, his fists are harder than rock and no matter what this woman says she’s going to be the next to join his tally of kills for having invaded his home.

But the woman says nothing. Instead, she just stands there. Her long straight black hair with its green tints almost reaches down to her waist, while her eyes glare at him angrily.

Hayden has never seen her before in his life and if the light were better in his apartment he might be able to take note that her eyes are differing colours. With one of her eyes being blue in colour, while the other is a vibrant green.

However, because the woman says nothing Hayden feels it necessary to make a point. So he casts the pizza aside and then balls up his other fist. It’s a display meant to scare her. A silent threat to illustrate that he’s ready and willing to fight. In truth he’s spoiling for one. Though he does query, “How did you get in here? We’re on the twentieth floor.”

For the second time Hayden gets no response. It’s why he shrugs before long and then feeling in no danger whatsoever, he strides over to the woman only stopping when he is right up in her face. Except his face is high above her head and he is forced to crane his neck downward to glare at her, while she is forced to do the exact opposite to look up at him. Her eyes are angry, he notes.

“Speak or die, little flower.” Hayden says through gritted teeth as his voice rumbles.

He gets no verbal reply. Rather, the woman with long black hair who is clad entirely in black lets a thin wide smile break across her otherwise tightly pressed lips.

Hayden grunts in response and then prepares to throw a punch. However, the woman reacts first as she, lightning fast, brings her knee up and into Hayden’s groin. The impact is full force and perfectly placed. Hayden feels the sting of agony that can only come from being hit in the crotch less than a second later.

His response is automatic and unfettered as he explodes into a primal roar and then staggers back a couple metres before almost bending double. He even cups his large hands around his injured and throbbing privates.

It doesn’t take long for his pain to turn to anger. It’s why he begins cursing relentlessly at the woman unable to fashion any form of coherent reply for nearly a minute. But once he feels able to string words together because the pain has eased, he announces, “I promise I’ll make you pay for that you little bitch!”

Then without warning he throws himself into a lunge, leading with his once again balled up right fist. He’s heading straight for the woman and smiles as the distance between them lessens and lessens until he reaches his target. Except, his target is no longer there. Hayden doesn’t understand. She was right there less than a second ago. His fist should have crushed her face flat, ending her insolent life in an instant.

The big hulking giant of a man doesn’t get it. All he did was blink and then she was gone. But he feels her presence behind him now. It makes no sense how that can be possible, but on instinct alone he does an about turn and finds that the long haired woman really is stood right before him. His brow furrows for a second and then begins to twist into a snarl as he prepares to wind himself up for another strike. However, the woman lashes out first with a slash across his face.

Hayden feels the quadruple burn immediately, while his head is snapped right due to the force of the strike.

Deep gashes have been torn through the flesh of his cheek. Blood flung wide as he spins away in retreat while howling a pained cry similar, in pitch, to what you might hear from a wolf.

Now that he is away from his attacker and he is sure he is out of her reach, his first instinct is to bring his hand up and touch his face. He does exactly that. Though, he makes sure to probe carefully, which is why he dabs at his cheek and then pulls back his hand to gaze upon the smears of red that now coat his fat fingers.

Hayden can imagine what his face must look like now. But instead of fear or concern he feels only the familiar boil of unbridled rage as red mist descends removing any hope of rational thought from the large man.

A second later he begins to spit and growl, as if he is some kind of rabid beast desperate for blood. It lasts a while and melds with his heavy breathing, not the result of exhaustion or fatigue but anger. Anger which he can contain no more and so, without warning, he explodes into a teeth barred charge.

Hayden is headed right for this woman. He hasn’t a clue who she might be, why she is here or what she hopes to achieve. He tried gaining answers to those questions but she refused to speak. It is possible she cannot speak. But Hayden doesn’t care. He gave her the chance and she didn’t take it. Instead, she attacked him. He’d be impressed if it were not for the fact that she has caused him actual pain and humiliation. In his eyes no one gets the drop on Hayden ‘Headshot’ Wilkes, and if they do they don’t live long enough to get the chance to brag about it.

Suddenly, the woman spins away avoiding Hayden’s wild and reckless charge. A charge that sees him go barrelling headfirst into a wall right after due to him having too much momentum to have any hope of pulling up in time to avoid the impact. And though, as a result of the blow his vision is filled with tiny sparkling stars, he still manages to spin on the spot and demand, “Fight me with honour!”

“And why would I do that when you, Headshot, have none of your own?” The woman says with a soft mocking tone as she stares at him with her large eyes.

Hayden snorts derisively and then throws himself at the woman again following a quick shake of his head. Except this time he leads with a fist instead of charging at her with reckless abandon like he did before.

Again the woman avoids the first, second and then third swipes from Hayden before countering with her own fist which goes slamming hard into his gut.

The force of her strike is shocking to Hayden who in response goes staggering back a couple steps, perplexed by what has just transpired.

The pain in his gut is the only thing keeping him in the here and now. If it wasn’t present then he’d be mulling over how it can be possible that this diminutive woman is able to do this to him. It shouldn’t be possible. He knows that. Then he realises the pain is gone. Not entirely, but enough. And with it goes his focus on the here and now. It’s why his mind quickly presents the possibility that the only way it can be possible is if this woman, whoever she is, is like him. She can’t be. He knows everyone of the souls who became Gods to humanity and she was not one of them.

So he is left with a need to know how a mere mortal is standing against him. After all, he kills mortals. They’re weak, easy prey, no match for a man of his calibre. He was like them once until he joined the program all those years ago. The one that gave him these gifts and thus allowed him to become so much more than the rest of humanity could ever hope to be.

Suddenly he is pulled out of his thoughts as he hears the woman’s sweet voice remark mockingly, “Aw, what’s wrong? Did little ole me hurt you?”

A wry smile breaks across her previously pursed lips in the moments before Hayden growls and then charges for a second time.

The one thing the former boxer turned God cannot abide is being mocked. It inflames his temper in a manner no other thing in the world can achieve. And though his actions might seem brash, he is sure he has her this time. There is no way she is getting away from him, even though he hasn’t a clue how she did so before. After all, dodging punches thrown your way is one thing but literally vanishing from view less than a second before an impact only to reappear behind your attacker should be impossible.

Yet, just as Hayden is about to reach the woman, who he is sure is well within his grasp, she disappears. His eyes go wide as he tries to understand how this is possible. He doesn’t get very far with such thoughts though as many something’s, perhaps a dozen of them, go stabbing into his back. They plunge deep, and though they seem ready to tear him apart he instinctively roars and then whips round baffled by what might have been unleashed upon him. It has to be a weapon of some form. It’s the only explanation he can give.

However, as his eyes come back into focus after the frantic whipping around of his head, he spies the woman’s fingers. They’re long. No they’re impossibly long and dripping with blood. It has to be his blood. It wasn’t there before and the only person with any wounds is Hayden.

He goes to speak, to ask why her fingers are as they are. They hadn’t been before. Then he notes that they aren’t her fingers at all but her fingernails and that they’re shaped like talons, razor sharp and black in colour.

Hayden recoils in shock. He can scarcely believe it. Though it is without a doubt true and on many levels makes complete sense that she is a God. That she is like him. It’s the only possibility that makes sense as to how it is that she may be able to best him. Yet, the revelation leaves him with new questions, as God’s don’t fight God’s. Only mortals fight amongst themselves. Its part of the agreement each of them swears to abide by before they have the gifts they so rightly deserve, in their eyes, bestowed upon them.

That’s why Hayden utters in disbelief, “You’re like me. But who are you?”

The woman with green tints in her otherwise long black hair replies in disgust, “I am nothing like you and the other Gods.”

Her expression is the epitome of disdain, while her eyes burn defiantly with such intensity that it seems to Hayden that if it were real then it might actually be able to scorch him to death.

He’s impressed by her; even though there is no doubt that she has to die, now more than ever. Before she was just an insolent soul baying for death. Now she is a betrayer whose only sentence for her attempted crimes can he death. Those are the thoughts that go through his head in the moments before he replies, “All Gods are the same.”

Then he charges one last time. His arms outstretched, his fists balled. She’s arrogant. Too arrogant, he thinks, and he’ll catch her off guard now that he knows what she is. She’ll never be expecting him to un-ball his fists and reach for her, but that is precisely what he’ll do. She’ll never see it coming until it’s too late and she is within his grasp. Then he’ll snap her neck. It isn’t right or proper, but she started this. He has the wounds to prove it. The others will not question him. They know him.

Meanwhile, as Hayden charges toward her the woman declares, “We are nothing alike.”

She waits for him to get close and then springs her trap. A swift, lightning fast, kick to his chest. The force of the impact sends Hayden flailing backward, spinning round as he goes. That gives the woman all the opportunity she needs, which is why she then effortlessly leaps across the room, slashing with her talons as she sails gracefully through the air.

Hayden’s eyes go wide. He feels the gashes immediately but cannot react before a choke and several gargles escape his now tattered throat.

Blood pours from the remains of his neck. It sprays down the previously white vest covering his wide muscular chest and onto the floor. He can’t speak, though he tries. His voice box has been carved into pieces and though his hands are now up and around the wound it is already too late. Hayden has lost too much blood. A wide and still expanding puddle of thick dark red blood now covers a section of the polished black and white checkerboard floor of his apartment.

Hayden manages several awkward steps toward the woman before his legs become too weak to support his weight because of the amount of blood he’s lost. So he goes stumbling back into a wall. He stands with his back up against the blank section of light blue painted plaster staring at the woman until his legs fail completely and he goes slumping down to the floor. His eyes remain glued to the woman who simply watches as the last shreds of life leave him as evidenced by the fact that his eyes go glassy and still.

Cataloging

Cross the names off of the list
Perpetual state of won’t be missed
Tie the noose around the stone
Send them down to the depths below
One more trick up the sleeve
No one here remembers reprieve
Just an outline etched in chalk
Because of the person they did stalk
Drove the madness right off the bend
Can you not simply comprehend?

Well it seems the damage is already done
Sick of seeing the unending of everyone
Shuffle through the deck of cards
While surrounded by all the guards

A day late to make amends
The cycle is starting once again
Can’t there be a reset to end it all
Begin from a point not drenched in war

A bitter taste in the mouth
It is moving down to the south
Burning out the esophagus
Funeral of the life lost

Batten down the hatches and say goodnight
This is only the beginning of the fright
One more day is not the truth
Locked deep inside this cramped booth

Turn The Key

Creeping in the halls of pain
Another trophy calls your name
Shouting dreams of heresy
Can the future ever be free?
As the clock does strike twelve
Sing for revolution bells
For a night without falling shells
You pay the piper to end the spell

Dillusions of a broken mind
The world will never be so kind
Spectres of a broken soul
Watch as you lose control

Bearing gifts to the long departed
Fractured by the newly ignited
Few things ever scratch the itch
As your hope turns to a stitch
Scar tissue that seems unreal
Hands out to accept the deal
Stamped in the virgin blood
Another curse begins the flood

Dillusions of a broken mind
The world will never be so kind
Spectres of a broken soul
Watch as you lose control

Now repeat after me…
or you will never be free
Scratching, Scraping
Turn the key
Enter into misery
Calling, Balling
Open the door
There really is no cure

Delusions of a broken mind
The world will never be so kind
Specters of a broken soul
Watch as you lose control

Extremist

Freedom fighter, terrorist
Just a matter of perspective
Even if you use another name
They all link just the same
Insurgent is another term
Much like being a militant
All claim its for rights and fairness
But murder shouldn’t be permitted
If you kill then you are the cause
Another criminal outside the laws
Soldiers without a uniform
Little more than hell spawn
Cutting down who you “defend”
Just so you can lie again
After all you’re just extreme
And your victory is a dream
But never forget you won’t succeed
The majority will never aid your breed

Vended

These things that you have vended
I realise that I did not comprehend it
Too busy staring at the view
While all this time you were losing parts of you

Monsters hide, in every corner
A shattered position, from which to mourn her
I feel like, garbage rolling down the road
Not a single second, did I decide to own…
Up to the fact, that you were distant
Instead I simply, gave excuses for it
Tried to play off, all of the signs
Pretending like, it was all fine
But had I looked, then I would have seen
Everything was, a long way from serene
Cause instead of, enjoying each new day
You were wishing, it would finally fade away

These things that you have vended
I realise that I did not comprehend it
Too busy staring at the view
While all this time you were losing parts of you

Down on my knees, I begged for forgiveness
Even though, I was a witness
Too consumed, by all of the lights
My star shattered, right from the inside
That is why, I have no words to say
And why I’m, just standing here today
If I’d have thought, then I could have helped
Instead all I did, was add to the way you felt
And apologies, won’t fix a thing
That moment has passed, out of being
Instead I am, the one you should blame
Cause I never did a thing, to help with your pain

These things that you have vended
I realise that I did not comprehend it
Too busy staring at the view
While all this time you were losing parts of you