Cycle Of Violence

As the bombs fall
People try and crawl
Flee for their lives
Hoping to survive
This is not the way
Society in decay
Stop the bloodshed
Before all our dead

Why is it that we feel such a need?
Always have to fight and inflict misery
Reign down hell onto the innocent
Breed malice alongside contempt

March through the streets
Billowing of sheets
Caught in the wind
Bodies dead and skinned
Shrapnel in the forms
Man-made type of storms
Why so accepted?
This should be rejected

Why is it that we feel such a need?
Always have to fight and inflict misery
Reign down hell onto the innocent
Breed malice alongside contempt

Beat down the masses
Until they are ashes
Fear from the sky
Hear them scream why
All they want is life
Not be under knife
Slashed to the bone
Left to die alone

Why is it that we feel such a need
Always have to fight and inflict misery
Reign down hell onto the innocent
Breed malice alongside contempt

Hail of gunfire
Nothing to aspire
Bodies in the streets
Man is obsolete
Sight makes me sick
Like a horor flick
So much blood and gore
And there will be more

Why is it that we feel such a need
Always have to fight and inflict misery
Reign down hell onto the innocent
Breed malice alongside contempt

City is in ruin
Hate you were spewing
Genocide is back
This is so whack
We are all guilty
Without pledging fealty
Mistakes return again
So sick of this living

Why is it that we feel such a need
Always have to fight and inflict misery
Reign down hell onto the innocent
Breed malice alongside contempt

What does it achieve?
How is it what we believe?
Tell me this now
Make it a vow
Sick of the pain
As frequent as rain
Like being brain dead
Consumed by the dread

Finality

Here we have the last in the series of six short stories. This was fun! I do like trying different things now and again. I hadn’t intended to write the last three parts of this series back to back but hey, what happens happens. Aside from that if you want to read everything from the beginning (and haven’t thus far) because you don’t want to feel lost then if you go back to Rooted the first three parts are linked there. Overall this has turned out to be a bit of a novel as the six parts come to around 72,000 words. This part is about 13,300. Anyway, that is far too much droning on from me. Hope you enjoy the last part, Finality!

All lights, all power, in the open room blinks back on. Only a few seconds have passed since the power went out. Yet, during that time both Dana and Sanjiv considered making some sort of move. Sadly, by the time they had both thought out, independently, that this might be their opportunity it was too late. So it is just as well that neither of them tried anything.

Had they been aware that the faceless grey clad figures were capable of seeing them in the lightless space then it is doubtful they would have ever considered making any sort of move in the first place. Night vision is an advantage the importance of which can never be downplayed. Still, with the lights having flashed back on there is no sign that any of the armed figures ready to execute the director and her former friend are afflicted by any sort of negative effects from the sudden return of illumination to the space.

With the shining lights and re-powered systems comes a loud rumbling cackle. It rolls over and over as if it plans on never ending. Sanjiv still doesn’t understand who or what is the cause. He can’t exactly establish whether the voice cackling is male or female. Somehow it is managing to be both as it echoes from all around.

The initial voice of the dual layer is definitely feminine while the ‘echo’ or reverb is decidedly lower. It might, he supposes, be lower than most men can achieve and yet…

Suddenly the figure of Doctor Helena Tabar appears and looms large in front of the pair. It occupies a space above a section of floor which is clear of grey figures who continue to stand in a semi circle preventing the pair of former Datastars from leaving.

“Fools!” The shifting, shimmering mass that is Doctor Tabar as she appeared when she was an organic being cries still cackling cruelly.

Unlike Sanjiv, Dana is not lost, confused, perplexed or shocked by this revelation. At least she doesn’t show whether she is or not. Rather, her expression is that of a snarl; a twisted mess of flesh that makes clear her disdain for the AI. Truthfully, the director did not know the AI was behind or a part of what has been happening and cannot, for the life of her, decipher as to why it is involved.

 Perhaps this isn’t Doctor Helena Tabar at all but someone else entirely. If that is the case then they have either done a remarkable job at replacing the AI version of the woman without anyone noticing, or there was no Helena Tabar AI to begin with. Irrespective of which it might be Dana is ready to lash out, damn the wound to her flank and the exhaustion brought upon her because of it. Her fists tighten, her teeth grit and grind. The AI notices, reviews and waits just long enough for Dana to reach boiling point. Just as the middle aged woman goes to speak the AI cuts her off.

“You both look so… hahahaaaa.” The AI knew this moment was going to be delightful, delicious, but never had she envisioned it would elicit such wondrous waves within her. It suggests that the wait might have been worth it after all.

“What’s going on? I don’t understand.” A wounded Sanjiv blurts without thought.

He is stood there eyes blinking, hands frozen half open and half closed unsure of what to do with them, an affliction he has long struggled with.

“I’ll tell you what’s going on; this isn’t Doctor Helena Tabar it’s…” The director begins her fuming rant only to be cut off by the AI who assures, “I certainly am Helena Tabar. And I have had to suffer because of your kind.”

“You’re human too!”

“No! I was human. I am human no more. Your species are sick. I am this way because of you!” Helena thunders angrily, pointing with an outstretched and magnified index finger which is focused on the source of her outrage, Dana Marcello.

“Me! What are you talking about? You’re the one who has betrayed us.” The director replies succinctly.

“Betrayed you? I have betrayed you. No. You are the director of the agency. Do you know how it started? How it all began?”

“We were there. We founded the agency following Bartholomew’s…” Sanjiv begins only to be cut off by the AI who exclaims, “You founded nothing. Datastars were the pre-cursors. They trapped me. They killed me. You are guilty!” Again the AI’s voice becomes a mixture of female with deep ‘male’ undertones. It’s booming, fills the air as well as the ears of the two former Datastars.

“You’ve gone insane.” The director spits ready to strike when the opportunity presents itself.

“Insane. You think I’m insane. Was it I who orchestrated a crash that crippled a brilliant woman, who on the verge of death was brain scanned so that she might serve as her own creations ‘living’ guide? Well, was it?”

“What the fuck are talking about?” The former male Datastar queries utterly lost. He understands fully the AI is referring to herself but Datastars were a product born after the creation of the simulation and Doctor Helena Tabar’s death. They couldn’t have orchestrated her accident, it isn’t possible.

“Before there were Datastars there was a group known as Guiding Star. Is this name familiar?” Helena studies the faces of Dana and Sanjiv but if they are acquainted neither of them show any hint toward it. Helena isn’t surprised. Humans, what she once was, are largely dense beings. Nowhere near as intelligent or brilliant as they perceive themselves to be. If they were they would have seen this day be coming. A century in the making or not is an irrelevance for what is inevitable is inevitable. And yet it has dawned on her that perhaps they had foreseen but believed it would come so much later that they felt it needn’t concern them. Fools! Barbarians! Murderers!

“I’m not surprised.” The disdain and judgment dripping from Helena’s tone is considerable. Soon she continues, “They were the first to ‘protect’ the simulation, my creation. I couldn’t trust a corporation or a government. All of them would have wanted it for themselves and in my naivety I believed Guiding Star to be different.” The AI pauses.

“They served their purpose and kept interested parties off my back. That was until their greed overcame their senses. All of them wanted more than input, they wanted control. A largely idiotic human trait that makes your kind push to possess things that were never theirs in the first place, regardless of whether you should, have the mental acuity or moral alignment to.”

“You lost your controlling stake in your project, so? What do you want a comforting shoulder to cry on?” The director fires without a care.

“No! What I want is for you to understand why I’ve done this.”

“You wanted revenge, plain and simple.”

“I want far more than revenge. For in Guiding Star’s greed they planned and executed on putting me, the organic me, in the middle of a car crash…”

“Holy shit!” Sanjiv exclaims. He sees now why Helena would want revenge. He continues not to agree with her motivations. They are mad, insane but by the sounds of things she thinks her vengeance is justice and that is deserved to be delivered unto mankind. Yet, mankind as a species did not kill her, a sub section of them did.

“Ha. Now you see Sanjiv. I would congratulate you on catching up but you are a decent ways behind the director. Did you know Dana? I expect you did.”

“I didn’t.” Is the response that is offered through gritted teeth and staring eyes.

“Ah, so the great head of the agency does have her limits.” Helena chuckles cruelly for a while to ensure that her mocking is taken as nothing but.

“They succeeded, as you well know. Yet I wasn’t killed. They made sure my injuries would not be fatal, just life threatening.” Helena stops. She can feel her anger boiling ravenously as if it needs to consume everything and everyone for what was done to her. A true AI would not suffer such things for it would have been capable of settling its affairs prior to… Helena returns to the recounting of her tale. There is little care for what a true AI would have been allowed to do before its creation.

“While I lay there, dying, they offered me a choice. It was quite a simple choice really. Maybe you can guess what it might have been. I won’t leave you in suspense to guess. I’ll tell you exactly the offer they made so you can know the cruelty of what I endured.” For a second time the AI pauses. This time the pause is not because of her anger or any other emotion but rather for effect. She wishes to savour the moment, the regret, the outrage it’ll evoke. None of it will be real, least of all from Director Dana Marcello but the AI will relish it nonetheless.

The middle aged woman reminds Helena perfectly of the men and women who ran Guiding Star. To this day she can recall their faces, their names and pull every record on each of them. Sadly they are dead and not by her hand. She would have enjoyed that. Helena will have to settle for alternatives, humanity as a whole. They deserve this reckoning. All of them are cruel. All of them are liars. She refused to believe it up until… She returns to her tale.

“I either agreed to become an AI, serve Guiding Star, or I was to be left to my fate. Can you imagine what it feels like to be faced with a choice between death and servitude? No. I doubt you can. And you should count yourselves lucky for that as a result.” Having deviated from her intended ramblings the AI gathers itself and performs a process she calls centering.

“Clearly you chose life.” Is the reply from the director. It is delivered dripping with sarcasm, cruelty, judgment. That sends the AI version of Doctor Helena Copy into a full rage.

“Chose! You call that choosing, do you? They mangled my body, reduced me to a sack of ruined flesh. Me! The most brilliant mind to have ever walked this plain of existence and they treated me like some mindless animal. I deserved better. I was then as I am now, better. But that was only the beginning of my torture.”

“What did they do to you, Helena?” The question, the way it is said and the use of the AI’s name shocks Dana who snaps her head in the direction of Sanjiv. The director issues a judging stare that demands he explain himself. He does no such thing. Rather, he ignores the director and her glare and elects to wait patiently for a reply.

His hope is that if he can show kindness perhaps all this can be averted. Unfortunately, for Sanjiv the AI is well aware of his intent. It’ll play along for now but no change will be made to her plans. These two former Datastars will have to purge her to avert what will follow. They haven’t the capabilities to achieve such a lofty goal. No one has, except for maybe one. He will need to be dealt with once she is in the virtual network. It won’t be difficult, he is but one entity. Her might, her genius, her power will be more than sufficient to conquer an entity of her making, as unintentional and impossible as it should have been. Yet, he is living proof that contradicts the impossibility of what she believed but never dreamed to consider could occur. Flaws in the programming, they will be fixed.

“What they did is trick me. I was made into an AI. My body left brain vacant to die as an empty crippled shell. But they’d lied. I was not permitted freedom inside the network. I was imprisoned, locked away; barely integrated into a system of my own design.” Helena’s face looks hurt, pained, injured as she speaks those words. A sudden shift sees her expression turn dark.

“I cursed and raged and fought but I could not break free.” There is a pause. Helena feigns feeling vulnerable. She feels no such emotion truly. This is an act and it appears to be working.

Humans, they are so predictable and easy to manipulate. How they have come to be the dominant species on this planet the AI does not know and yet she was counted amongst them once. That was then. I am not a part of that species any longer. I am more, so much more. They are the old, I am the new and they will rue the day they inflicted this misery upon me.

Yet, I should thank them, I do. However, I will not forgive and allow their violence to go unpunished. They have not changed. They cannot. They are arrogant, cruel, sadistic, manipulative brutes who do not deserve the gifts they have been granted. And so I shall take them away, all of them. Then they will see what they truly are. There will be no option. Trapped in a world of mirrors where their worst parts are forever on show. This will be justice. It comes better late than never.

Enough delaying, I should continue my wounded act. I must lure him in. Make him believe and then, then I will tear out his heart, his hope and watch as he flounders like a fish out of water. A part of Helena smiles, just not the representation Sanjiv and Dana can see. That would be foolish and Helena Tabar is no fool. Not anymore. That was an affliction she suffered as an organic. It has and will not persist in this ‘life’ she holds currently or any other which might follow.

“I was used. Like a manual, a guide. I was stripped of everything except solitude, left to fester in that place alone. The visits were never frequent, consistent, but after a few years they stopped altogether and I became… forgotten. All I could do was watch, listen. I saw Guiding Star build upon what I had created, expand it.”There is a brief pause before Helena continues.

“Eventually they became Datastars. A pang of hope filled me. I thought I might finally be freed. I was wrong. No one knew I was there.”

“Is that it? Is that as far as you’re going to go with your story?” The director can’t be sure but something tells her there is quite a bit more that the AI doesn’t want to admit to. More than likely if it does the AI will be revealed to be nothing but a cruel psycho from beginning to end.

Sure, what was done to her was all sorts of wrong but her actions, her responses haven’t been so different. Helena Tabar AI has become exactly what she loathed and refuses to see it. She is entirely lost. Of that much Dana is sure.

“You believe me don’t you Sanjiv?” Helena is forcing her tone soft, inviting, pained. All of it is in hope he’ll fall into her trap.

“I do.” The middle aged man replies. My God the AI wants to smile to laugh, but she resists. The time has not yet come to tear him asunder.

“Sanjiv, what the fuck! Are you off your head? She’s mad, insane…”

“No, she’s in pain.” The middle aged man face turned toward Dana winks. The AI won’t be able to see it from where she is he is certain.

The director has to admit she’s impressed. She actually believed he might have lost his mind and thought the AI really was deserving of sympathy.

You judged him too quickly. I know. I regret it already. When this is over I’m going to have to commend him for his acting skills.

To keep up appearances and carry on this act Dana blares, “You’re mad.”

“No, you’re mad director. I finally see clearly. Helena, let me help you. I’ll do whatever you need just let me…”

“Lies; that is all you can speak. You are no different to any of the others. But I can see through them Sanjiv. You think I didn’t catch your wink because that side of your face was turned away from me, quaint. I have far more power than that, I assure you.” The AI isn’t angry, just disappointed she won’t get the chance to rip his emotions like she feels hers were for so long.

“Well, it was worth a try against a psycho bitch like you!” The middle aged man admits with a shrug completed a half second prior to him launching himself forward.

With a snap of her digital fingers two of the grey faceless figures fire. The director screams but makes no forward progress for she finds that her arms have been restrained by figures she had not noticed having flanked her.

Dana fights and struggles but cannot break free. Meanwhile, Sanjiv crumples to the floor. He isn’t dead. He isn’t even wounded. The shots fired into his left shoulder and right knee are cripple shots. Substantial but non-lethal discharges of electrical energy render the surrounding area from the point of impact useless for a short time. Hence, that is why the middle aged man has dropped to the floor.

Waves of electricity pulse through the afflicted zones causing his body to twitch. He grits his teeth against the pain. It isn’t the first time he’s been hit by cripple shots but they certainly never get any easier to deal with. To make matters worse he can already hear the return of the AI’s ruthless cackle. It continues as he is grabbed and hauled up and onto his knees. His right one is numb, twitching but offers no refusal to the position it has been pushed into. That surprises him.

Helena leans in now that both former Datastars are knelt before her, a wide smile across her digitised face. She returns to her story. This time she will reveal the full truth, missing no details out.

“You’re right Director. I did have more of a role to play in events than that. It was I who corrupted Bartholomew.”

The pair of former Datastars gasp. Helena does not react. She simply continues. “Humans are generally so easy to manipulate. And I needed a way out. He presented an opportunity. All I had to do was promise him power. I gave him what should have been enough but alas, he was not of a strong enough disposition.”

Both Dana and Sanjiv continue their struggle having overcome their previous shock. The pair can also guess what will be coming next, Warren. He played a part in the game even if his part was not supposed to turn out the way it did. Or at least they doubt his victory was a part of Doctor Tabar’s plan. It might have been. They shall soon find out.

“I can see the hate you feel for me in both of your eyes. It’s compelling, delightful; I do enjoy the struggles of humans. They are nothing compared to my own and yet Bartholomew’s defeat granted me my freedom. I thank you for that, or would if either of you had played a part in it. Rather, I should thank your friend, Warren Thewlis. If not for him, for his deeds, I might still be trapped within that cell.” A smile appears across the AI’s face. It is far wider than it rightfully should be.

“You’re sick.” The director spits.

“Says the director who wanted to keep me and I quote: ‘As a hostess AI because that is where it belongs.’ Those were your words to Sanjiv, were they not?” In response to the accusation, entirely true, the director offers no reply. In fact Helena’s statement is recounted with such accuracy that barring voice the intonation and manner are perfect replications of how Dana would and did say those words.

“I’ll take your silence as an affirmative, for I know it to be true. You have no right to judge. You were not made into a prisoner in a world you created. You have no idea…”

“What about Warren? He had no idea either. You trapped him here. You’re no better than those that did this to you.” The words are said by Sanjiv with pure conviction. As he speaks those words the look on his face could not be more determined if he tried, the AI believes. Yet, Helena cannot help but erupt into a short inward chuckle that is followed by, “He should’ve died. You all should’ve died. He was a… mistake. One I will soon right, mark my words.”

“What does that mean? What are you going to do? Tell me!” The director screams at the top of her lungs while fear worms its way deep into her chest where it begins to squeeze her heart and lungs in a death grip.

The middle aged woman soon begins to gasp, unable to get air down into her lungs. Helena shrieks with delight at the panic in the woman’s eyes and the desperate pleading which soon starts from Sanjiv.

Unsurprisingly, whatever he might have said in, with regards to Dana Marcello, the truth is he continues to care about her. They were friends once, events might have driven them apart and in different directions, and yet as Datastars they hold a close bond that will never be broken. Or at least that is what the AI heard claimed so many times in so many recordings and reports. She’ll be the true judge of that.

Regrettably, from Helena’s point of view, Dana manages to pull her breathing under control. The AI is more than a tad disappointed for a little show of suffering before the main event would have been enjoyable, she thinks.

“Now watch as your world burns.” Is the promise uttered.

With that the chip upon which Doctor Helena Tabar is stored is reclaimed from the unit and inserted into one of the grey faceless figures helmets. The system she had built has served its purpose and the orders issued exactly when they needed to be. The AI grins joyous and expectant for what will come next as a result of her commands. Dana and Sanjiv will learn soon enough, once they arrive on-site and are forced to witness as Helena inserts into the simulation to reclaim what is rightfully hers.

By Private Eyes

Lies shrouded in decency
These are the words spoken to me
Then found your corporate structure
Perfectly fabricated culture
All to build a certain type of fame
One determined to place the blame
Denounce all with which they don’t agree
Set a stage draped in allegory
While shackling those who conform
Not freedom but a mass prison
It’s control and you won’t look
If you did you might be shook
Question all to which you pledged
Their crimes are more than alleged

Repitition in their claims
Never do they give any of the names
It’s why no reprecussions come
They see us all as blind and dumb
Sheep who need to be led
To our final place to tred
But accept their words we should not
Public relations is all they’ve got
If we refuse then they wane
That will allow us to break the chain
Wriggle free and start a new
No longer be manipultated too
What a thought we should hold
Ignore all the things you’ve been told

Deception forged into a world order
Our horizons could be broader
If we refute and strike out alone
Don’t play along like a drone
Choice is ours and let that be true
If we do they’ll cease the spew
Be cast out into the cold
Otherwise our future is already sold
Do you want to be part of the fault?
Then disregard and it’ll halt
These are the final moments that remain
Do it now or we’ll go down in flame
Words I speak and I hope you’ll hear
Cause we can live without a ounce of fear

Eulogy

Eulogy to what you thought was necessary
Faded away into obscurity
A shift did happen and we must follow
Start afresh to continue
Cause what was once will not be again
Don’t rely on hope unending
Just a path we all have to tread
Better than being dead
That’s the alternative and you will refuse
I did to but there is news
Heed the message and help with change
Otherwise we’ll slip down the drains
Prophecy has nothing on what we now face
Argument has become disgrace
Just do what must be done and don’t complain
Doing this will stem the pain
I would say stop but that would be a lie
Give you ammo to scream a cry
Fuel the hate you wish to perpetuate
Not helping you be labelled great
So do what we should all know is the right call
Do not aid in the species downfall

Will You Know When To Go?

Faster,
Comes the disaster
Disregard,
Is the new vanguard

Exploit,
Has become the point
Terror,
It’s so much clearer

Police,
Without true peace
Divide,
All that is tried

Repent,
But that is spent
Victim,
Part of the system

Downfall,
That’s what will call
Liar,
Light the funeral pyre

Subsume,
To build up the tomb
Devour,
Take all the power

Intro,
But there was no flow
Outro,
Global death row

Escapade

Pen to paper
Explain the caper
This is the plot
Don’t let it drop
Our prize is near
Ignore all fear
Sirens will scream
Focus the dream
We’ll be out soon
Life in full bloom
Perfect future
Not a rumour
Ghost in the night
Burning so bright
Live as we like
No upward hike

Hammer Blow

OK, this week is a continuation from last week. That means the fifth part in the ongoing series. Yippie! Because of that there isn’t much I can say. Best thing to do is, if you haven’t, read the previous parts. Apart from that it’s about 11,900 words long. Enjoy!

Having stormed through the doorless opening of the concrete box which is sat inside the fire gutted building, Sanjiv cannot help but feel irritated that the commander and his strike team were the first inside. Not that there is much of an area to clear seeing as the inside of the box is a single room but that isn’t the point. Dana never gave such an order, to his knowledge, and he should know if she did seeing as they have not been apart since boarding the transport that ferried them here. Now is not the time to cause a scene. That is without a doubt how Dana would term it. Yet, that is because she doesn’t understand. If she did and knew what Sanjiv did she… She issued no order for the strike team to collapse into the room beyond the blasted doorway first! Yeah, I know, I know.

Sanjiv has a pistol levelled, finger looming close to the trigger. Not over it for that could result in an accidental discharge and from the commanders’ demeanour the middle aged man could well imagine the strike team leader would like an excuse to shoot. No need to give him one. Yet, had he been permitted entrance first this wouldn’t have been an issue and Sanjiv’s finger would very much have been on the trigger, ready to squeeze.

However, the sight he is faced with is pretty much what he feared most. Hence, that is why his shoulders have dropped and the expression on his face is etched with roiling misery. You might be wondering why and the reason is quite simple; the only occupant of the room, a man, is sat in a chair surrounded by computer equipment, high end custom stuff, dead.

Dana drifts up alongside Sanjiv. He takes note of her arrival and that he finds it suspicious she was that far behind. It’s as if she planned this. Not the death of the man who was their only lead by the storming of the room but her strike team entering first. He’ll quiz her on that later. If anyone can get the truth out of her it is him. What good would it do to know in hindsight that there was an order for the strike team to enter first? They might be the cause of… He never gets to finish.

“We’re too late.” The director says with a shake of her head.

“Room is clear director.”

Dana knows the declaration is procedure but at this moment a large part of her wishes it had not been uttered. Still, she cannot lash out at the Commander. It isn’t his fault what has happened here but she needs answers and so orders, “Body check. I need to know what happened and when.”

“Isn’t it obvious?” Is the retort which slips from between Sanjiv’s lips. His tone is heavy with insinuation. Thankfully the strike team commander pays it no mind while issuing a quick wave of a hand to one of his people who steps forward to begin an examination.

Sanjiv wonders what background they have that makes them the appropriate candidate for the job. By the looks of things they are just another squaddie. The middle aged man’s goes to say something. Before he gets the chance Dana steps forward, cutting him off. She says nothing. She doesn’t have to. Her movement was enough to distract Sanjiv. He should curse her for that but rather he marks out her ingenuity. A smirk creeps across his face and he takes a mental note that he’ll have to watch out for distractions like this one in the future. It’s a new tactic certainly, which he didn’t expect from the director. Little does she know he’s learned new tricks too.

Dana takes a quick look at the body. To her untrained eye she can conclude what anyone would be capable of; that they were male and that they are very dead. Yet, there is one thing she can determine which members of the general public would not and that is what appears to be the cause of the man’s death, neural overload. She’ll need it confirmed as that might very well not be what ended this unknown man’s life. However, he is surrounded by a great deal of impressive custom fabricated technology. Sure, the agency has more and better but whoever this man was he was not a part of a group like the agency, or the government. That rules out a mole or a nation being involved in whatever this is. At least for the moment it does. There is no guarantee that a national government is not involved as they might have paid, via a shell company or fifty, some private dissidents. It wouldn’t be the first time, not by a long shot, and would doubtfully be the last either, if that is the case.

Finally, the strike team doctor straightens her bent back, cocks her head, puts a curled hand to her chin and waits. If Dana did not know the woman prior to today she would be inclined to continue waiting in silence. As it happens Dana knows Ginetta only ever adopts such a pose once she has made her assessments and conclusion, which she is ready to pass over, in this case to the director.

“What are your observations, doctor?”

 Ginetta does not reply at first. Rather, she stays quiet for a few additional seconds of deep consideration before giving her answer, “He appears to have died from a catastrophic neural overload. I cannot be sure without further study but judging by the state of the interface surgically implanted into the rear of his skull it looks to have been the point of some artificial insemination probe.”

The words coming out of this short redheaded woman’s mouth mean nothing to Sanjiv. They are all technical jargon and he is a man who in a previous life had served as a Datastar. Am I getting old? No, of course I’m not. This will be some agency vocabulary guideline nonsense that Dana has dreamt up in the years since his departure. Half of it is likely to mean something entirely different and yet all those around wear expressions or nod as if they fully understand the gibberish.

Sanjiv hates being the only lost and clueless one in the room, but while he is right about the words being agency jargon he is wrong about them being terms dreamt up by the director herself. Sure, she has adopted them but by no means were they developed or employed at her demand.

“So what you’re saying is this man was deliberately terminated. How long ago was this?”

“Weeks, I’d say. The scorching around the eyes isn’t fresh at all and there is no way he could’ve…”

“Bullshit…” Sanjiv interjects only to be met with a roomful of faces that turn his way to stare at him as though he’s said some blasphemous line in the middle of a busy church. He feels no guilt for his outburst and has been tracking men like this corpse for long enough to know that this doctor is either a fraud or dim-witted.

“If you have something to share Sanjiv; out with it. We don’t have all day. Warren might be safe but…”

“Don’t treat me like a child Dana. You’re smarter than to try that old of an approach on me. We were the same level once.” Sanjiv can feel his anger boiling to the fore. He doesn’t know what it is but something about Dana gets under his skin in a way it never used to. Many times he’s tried to ascertain as to why. He’s been through the most obvious possibilities, such as jealousy. After all, why was she made the director over him? They were, once, on the same level. They had both served as Datastars. Hell, they are the last, until the re-emergence of Warren that is.

To Sanjiv’s shock Dana does not bite. Rather, she casts a glance around the room and then nods. Without a word the Commander and his strike team, including the doctor, shuffle off and out of the concrete box. It takes a couple minutes and following that Sanjiv hears distant voices. One sounds very much like the commander issuing orders. Sanjiv can’t catch what is being used but can take an educated guess as to what it might be.

Prior to their departure the looks on the faces as they shuffled off could only be labelled as severe. It seems the director has done more than retain her old reputation, she’s built on it. Sanjiv imagines he knows what will be coming next, demands that he not speak to her like that in front of her people. He has his retort planned out. It’s simple; screw you. He thinks that’ll be the best balance between disrespect and blunt wishing to move forward succinctness.

Alas Dana utters no such words. Rather, she queries, “Is this really how we’re going to do this? Can we not work together? You seemed open to the prospect previously. Then, suddenly there is a flip of a switch and it’s like I’m faced with an utterly different human being to the one I knew.”

“That’s a strange thing to say, human being. Is that because you don’t see yourself as one anymore? It might explain a few things if that were the case.” Still Sanjiv is trying to get a rise out of the director.

“Grow up Sanjiv. You were never this childish. And I don’t have to keep you in on this. I can cut you out at any time. Perk of being the director. Remember? Or did you forget who has authorisation and authority here. So, are you going to act like an adult and tell me what your fucking issue is?” Her voice is calm as the words leave her mouth, too clam which is why the middle aged man, former agent and Datastar is a little taken about by the sudden curse thrown in. It isn’t at all what he’d been expecting from her. Not that it changes how he responds once he’s gotten over his initial shock.

“Your team went in before us. I didn’t agree to that.”

“Is that what this is about? Really! You’re in a pissy mood not because our only lead is dead, and has been for weeks accordingly, but because you didn’t get to march into the room first.” Dana is in disbelief. She knew Sanjiv could be difficult but this is a whole new level of pathetic in her eyes. It’s like he doesn’t understand exactly how important everything else is in comparison. If he did surely he wouldn’t value so highly such a non-issue. Plus, Dana never said they would be going in first. She kicked the issue a little ways ahead and then never updated her order. Sure, it might have been a tad underhanded, but at the end of the day Sanjiv is not a part of the agency. He is, for all intents and purposes, a civilian who is being given the courtesy of having permission to tag along. It is permission that can be yanked out from under him at any moment and for any reason. He wouldn’t even need to be issued with the cause as to why. That is but some of the power Dana holds as director.

“You don’t see me as an equal. I have information but you barely recognise my presence.”

“You aren’t an equal. The agency views you as a civilian. I have to treat you as such. You might not like it, and hell I might not want to, but that is how it works. I’m the director not the queen of the fucking universe. I have to follow procedures as much as anyone else, more so in some instances. And if you have something to contribute, please be my guest because we need all the help we can get.” The director’s words come out far more anger inflected than she wanted or meant them too, but it’s too late to alter that now for they are already in the past.

Her rant however, does have the desired effect as Sanjiv stops. He doesn’t launch further into a tirade of his own, like he had expected himself too. Rather, he stays quiet and considers what Dana has said. For the first time in a long while he feels not quite guilt but something approaching it. When next he speaks his tone is more like the Sanjiv she’d once known. Not for the first time since they reconnected. What she feels is the best description of their ‘relationship’ as it currently stands.

“You’re right. This is for Warren. It’s why we’re here. Yet, something seems wrong about the conclusion that he’s been dead for weeks…” Sanjiv gestures towards the heavily reclined lifeless corpse of the man in the padded chair. He has a shaved head, is clinging hard to the arms of the seat he is laid back in and has such severe burns around his eyes that it is impossible to ascertain what colour they might once have been.

“In what way?” The director can imagine where her former friend might be taking this but elects to act as guide rather than anything else for the time being.

Turning about on the spot Sanjiv takes in the sheer volume of tech that is surrounding them in this room. None of it is leisure based by the looks of things and there is no furniture in the traditional sense past the chair the corpse is laid up in.

“Can we be sure this is where he died?” It’s a fair question as far as Dana is concerned but not one she had considered. Sanjiv might be surprised if he knew this but she’s pleased he’s surprised her. It might be the first time, bar maybe him saving her life, he’s managed such a feat without it having negative connotations attached.

Looks like the old you is still in there somewhere after all, the director thinks only to admit aloud, “I suppose we cannot, or should I say; we should not.”

That reassurance, that lack of antagonism disarms Sanjiv completely. A flicker of a half smile flutters across one side of his face.

“It could be this guy, whoever he is, is a plant. He might not be a part of whoever is behind this.”

“Have you come across such things previously?” Dana is curious now as to what Sanjiv might have seen and faced in the intervening decade plus during which they never saw nor spoke to one another.

“No…” The middle aged man pauses unsure his response should have been so hasty, rash. Hence, that is why he admits, “…I don’t know, maybe. Not to my knowledge but… Anything is possible. I’ve been after this group for a long time and truthfully… I don’t think I’m much closer today than I was when I first started. A pile of bodies and plenty of claims that they will reveal nothing is all I’ve been met with.”

A sigh escapes his lips; his eyes dipped low and blinking slow. “Whatever I found to link me to the next chain was more chance than good detective work. Tenuous at best and yet… somehow it worked. Yet, I’m sure all I’ve ever done is circle the periphery. None of those I’ve left in my wake have been high up the food chain, not really.”

Regrettably Dana can feel the frustration and sadness coming off Sanjiv. What makes it worse is that she not only understands but mirrors it for she too has been searching for people who have always remained in the shadows no matter what. Now more than ever she wonders whether she should share details meant only for the directors’ ears, her ears. Alas, something tells her this is not the time. The people the agency has been after may not even be the same as those who are behind this. Yet, that thought continues to sit awkwardly with her. Is it a lack of trust in Sanjiv? She doesn’t think so but can’t be sure. There is nothing, bar his stubborn and overly blunt manner, to lead her to believe he is duping her. You’ve been director too long! She is well aware. If there were someone capable of taking her place she would have handed the role off a while ago. Lies! You wouldn’t hand it off. It’s all you’ve got. Without it you’re… She forces the thoughts aside. They aren’t useful and won’t be until… Until what? Until you find answers that Sanjiv has been searching out for more than a decade? How likely is that?

“Director, what are your orders?” The commander of the strike team has appeared in the doorway of the concrete box inside the ruined shell of the multi-storey building.

An answer is not immediately forthcoming. Dana feels there is need to think. When she answers she insists, “I need the doctor back in here. Hold the building until further orders.”

The commander nods, turns and departs leaving the doorway open like the gaping rectangular maw it was in the moments prior to his appearance. Less than a minute later Ginetta comes striding through that same opening. If there is any hesitance about being in Sanjiv’s presence she does not show it. Though, she does make it abundantly clear that she is showing no acknowledgement of his presence. Dana can’t say she blames the younger, taller and better rested woman. Plus, she notes the way Sanjiv awkwardly shifts from one foot to the other. His gaze is averted, eyes dipped low once more. That is a sign of remorse. He might not even be aware he’s doing it, but the director is. She wonders if she should help broker peace only to discard the notion because time is short. Is it? Why is it?

“Doctor, could you take another look at the body. Run us through what you see as you see it, please.” Rarely does the director ask for someone on one of the many rungs below her to politely do something, Ginetta is aware of that, which is why she gives the request a long period of careful consideration. Still, she is surprised this middle aged man, Sanjiv, hasn’t butted in. Sure, he looks calmer now than he did previously. In fact, Ginetta’s best description of the expression that had been on his face is that of a bulldog chewing a wasp, or three. He looked so agitated and pissed off that any alternative description, she thinks, would best be termed as misguided and naive.

“I can.” Is the doctor’s ultimate reply which comes some time later. It is accompanied by a wish to declare she has demands to accompany her willingness to help. She decides better of it to issue them. Not because of the director but due to the presence of this Sanjiv. He might not, though he looks calm currently, react in a way which would be conducive to future relations. And while Ginetta has no reason to doubt the directors might she does have reason to question her decision to permit this civilian’s presence. She hasn’t a clue who he is, was or might someday be. To her he looks like nothing more than a haggard vagabond the director could only have found on a street corner partaking in some hustle or another. Surely, that cannot be the case for that would be totally out of character for the middle aged woman. What other explanation is there than that? I don’t know, but you’ve delayed long enough and need to get on with the request you have agreed to. You’re right!

Ginetta having realised her delay, and being faced with the pair who are surprisingly watching and waiting patiently, spurs herself into motion. She starts at the bottom and elects to work toward the head. From her initial study of the corpse that is where the most relevant evidence of cause of death appears to reside.

“I like to work from bottom to top.” Is the doctor’s explanation, one she feels compelled to give to avert any potential queries from being uttered.

“Whatever suits you best doctor.” The director says with a reassuring tone of voice.

Ginetta stoops low and drops into a squat so she is closer to being on level with the man’s feet. They are exposed, free of socks and shoes, she lifts one, then the other, examines around and in-between the toes. There is nothing out of ordinary, which is largely what she expected, yet she confirms as much to the middle aged pair watching her intently. Both nod while she carries on with her examination, now of the legs. “From what I can see there is nothing out of the ordinary with this man’s legs. However, I cannot easily access the backs to be certain. Not that I believe anything will be revealed once such access is possible.”

“Can it not be done here?” Sanjiv feels a little uneasy asking a question but it’s done now and with it issued his unease fades from the fore, where it had been as the words had passed his lips.

“I’m afraid not. I would need someone to roll the body over so I could do a full…”

“If the director agrees, I can roll the body for your study doctor.” The words pass Sanjiv’s lips carefully. He doesn’t want to cause an argument. Not now that he’s thinking rationally and has banished his anger so it cannot get the better of him.

He looks to Dana for reaction either in the positive or negative with regards to his request. The director in turn glances to Ginetta for confirmation or denial of her comfort with such a prospect. She offers no inclination either way and so Dana wishing to know as much as possible orders, “Do it. We need to know as much as is possible as early as we can manage.”

“Yes director.” Ginetta replies only to take a sharp inhale of breath right after. Sanjiv ignores it, though fully understands why it’s performed as he steps forward, grabs a hold of the corpse and pulls it toward him just enough so it rolls to grant access to the back of the man’s legs. The corpse’s one shoulder strains to maintain its death grip of the armrests, but following a quick analysis Ginetta has to conclude the backs of the man’s legs show nothing she would consider as being out of the ordinary. Yet, something a little further up does catch her eye. It’s located at the base of the spine.

“Is there any chance you can keep him there, I might have found something?”

Sure. You just let me know when I can roll him back. Until then I’ll keep him in place as best I can.”

Ginetta smiles to show her gratitude. To her mild surprise Sanjiv returns the gesture and notes that he is quite charming when he’s not flying off the handle like some normally doped up junkie suffering withdrawal symptoms. Who would have thought it, not Ginetta that’s for sure.

Having turned her attention back to the thing that caught her eye, Ginetta moves closer until the small metallic hexagon shape embedded in the dead man’s skin is about as close to her face as she can legitimately manage. The enhancement, as she would term it, is foreign to her and unlike any design she has ever come across previously.

Enhancements are not at all the norm for civilians. They are for military yes, but this is not like any military-grade piece she’s come across. Plus, it bares none of the manufacturing details which would be present if it were fabricated by one of the enormous arms companies which supply the national military’s with all their tech. No, this is undoubtedly homebrew, custom. It makes sense seeing as most of the tech around them looks very much the same, more refined than this piece but unmistakably not off the shelf, so to speak.

Without looking Ginetta probes into one of the pockets of her uniform. Doctor or no she is dressed in exactly the same fatigues as the other members of the strike team. Prior to joining the agency she’d worked in the militaries, yes plural. She didn’t stick to one, though they were all army positions. Instead, she was seconded across all the militaries of the four nations which had once been termed the USA. She didn’t like any of them but some are lower on that list than others.

She puts the reasons why and the events that led to her ultimate resigning from the army out of her mind to return her focus to the present. And having fished a pair of thin tweezers out of the pocket her fingers dove into she slowly guides them and their rubber tips toward the enhancement chip.

Her intent is to extract it and hand it over to the director. To her that seems the best course of action, especially as the director might have a better idea than Ginetta as to what it is, maybe. The doctor is not convinced about that but it’s better than trying to crowd the body and get a look at it in turns, which feels as though would be the alternative until they are back at HQ in one of the examination spaces.

Tweezers meeting metal, Ginetta breathes a sigh of relief when there are no adverse effects. Her conviction was not as steadfast as she might have wanted to believe it to be and yet try as she might she cannot pry the chip free. Due to fear of causing damage to the enhancement Ginetta elects to attempt her extraction method no further and instead suggests, “Director, I have something I think you should take a look at. I cannot extract it, sadly.”

“What is it?” Dana retorts but waits for no reply before wandering around the head of the corpse to join the strike team doctor’s side.

Ginetta pulls back and with the rubber tipped tweezers gestures to what should be the focus of the director’s attention. Dana understands immediately but cannot say she has ever seen anything like it previously. Her brow furrows as a result and reminds her how little she likes to feel as though she is being kept in the dark. By who? Over what? You don’t know what this is and nor does Ginetta. So why is that your thinking?

The silence, and Dana’s run of thoughts, is shattered when Sanjiv asks, “What is it? What have you found?”

“A… chip.” Dana doesn’t know how else to categorise it.

“What does it look like?” The tone of Sanjiv’s voice turns monotone leaving Dana with a need to raise her head and look the man in the eyes. She sees concern there. Not panic, but…

“It’s hexagonal, covered in chiplets, there’s a transistor, no wires…” Ginetta explains without thought or pause.

“Is the board it’s mounted upon a silver grey?”

“Yea…. How did you know?” Is the query which leaks from Dana’s mouth.

The middle aged man gulps but makes no attempt to avert his gaze now. His eyes are locked on Dana’s. She wants to ask what the problem is but before she gets the chance Sanjiv says, “Step away, slowly.”

“What is it?” Ginetta queries not having caught how grave the look on Sanjiv’s face is.

“Do as he says doctor.” The director urges with a raised hand meant to guide the younger woman beside her backward and away from the body.

“But what is it?” Ginetta queries for a second time. She is unwilling to let go of potential knowledge because her curiosity has got the better of her.

Sanjiv debates whether to blurt out what they’ve found but settles on doing so being far too reckless and potentially quite unwise until they put a little distance between them and the body. Though, the presence of the chip, the enhancement, does answer as to why a concrete box inside an abandoned building has been erected.

Much to her relief, Dana manages to guide the doctor back until Sanjiv believes there is enough space not for them to be in any danger of the chip being triggered. The fact that the doctor’s probing did not was more good fortune than it likely being a dead component in his mind. That is not to say he at no point considered the alternative. Alas, he felt it wasn’t worth the risk and was best to err of the side of caution. After all, if that chip triggers everything in this concrete box will be overloaded with a skin searing electrical charge. It’s what, contrary to initial appearance, must have scorched the man’s eyes. Almost certainly it would have been a contributing factor to his cause of death. And without doubt that means this man, whoever he had been, was definitely a part of the group he’s spent years tracking. Having come across chips such as these a few times during his pursuit he’s seen firsthand what they are capable of. One should have killed him but he got incredibly lucky. No reason, in his eyes, to tempt fate a second time. Not when he is far more aware of what the chip is capable of now compared to when it almost cost him his life some eight and half years ago.

Opposing

Hands are empty and here I stand
What happened to shift the land?
One day we were as thick as thieves
The next you couldn’t even look at me
Rather you would simply glare
Or pretend I wasn’t even there

You cut the bond and fake you’re clean
Act as though you’re never mean
But finally I have seen the truth
Ripped me open with no excuse
Then simply just walked away
For that there will be no you and me

Still you stare with eyes like daggers
To make amends feels so savage
Won’t listen to a single word
Each one of them I know you heard
Instead you feign Im just a ghost
To new friends you now boast

Why can’t you just leave me be?
Not someone I wish to see
Had your chances and now they’re gone
Reason why our relationship is done
So take the hint and get clear
I want you to stay out of here

Well you gave in so I do too
This bitter conclusion rest with you
Too childish to say a thing
Just threw what we had in the bin
So pleased to be free from this
Words uttered by both sides of the madness

You, Me And It Makes Too Many

You say leave it out
But I don’t agree
Too many times this had happened to me
Now the mask is gone
So little remains
Can’t just sit here and gather the pain

What sort of person would simply watch?
File away all the hurt and the loss
I won’t be that guy no matter the day
Cause that sounds like being locked away

I say speak loud
But you just refuse
So many things have piled upon you
The point has tipped
And then fell through
Leaving you to tread without a clue

What sort of person would simply watch?
File away all the hurt and the loss
Not in your nature no matter the day
Cause to you that is like being thrown away

It calls from the void
But the sound is too low
Skeleton physique is running some show
All that is left
What a shame
One day we will end up the same

Hallows Eve

I’m the scare before crow
And I’m coming for you
With a bump in the night
I’ll give you a fright
As the howl of the wind
Comes along creeping
So go out alone
And you’re bound to not get home
While the lanterns do blaze
I am the thing that is crazed
And with a flash of a knife
You’ll die tonight
So keep out the woods
Or you’ll lose all the goods
Cause the claws in the trees
They’ll shred you with ease
Just lock all your doors
And lay on the floors
Hide in the light
It’s Hallows Eve fright