Dig And Weave

Digging in deeper to find the creeper
A whole new persepctive on the lost
With stars still falling from the sky
Will there ever be a reason why?
No point on dwelling as the tide comes in
Soon everything will be wiped clean
But still the voice continues to dwell
Until I demand that it does dispel

Weaving between the woven roads
Still have plenty of places to go
Fires keep the shadows at bay
Where is the brand new day?
Arms wide open for the next chance
Flip the coin and see what lands
No more tragedy does remain
We stand above this lost feeling

Pushing further than the pain
This is still our world to gain
With passion filling up our eyes
Do you really think we’ll be appeased?
No more crawling in the dirt
We love being free of guilt
As we laugh and cry with joy
We refuse to be your chew toy

Running longer than you will believe
This new face will never leave
As the day turns to night
Do you think you’ll stop the fight?
I can tell you you’ll never win
We are one and we are legion
So soon you’ll see the power in me
This is who we are supposed to be

Oppressed

Path of least resistance
What a cruel mistress
Hunting for your head
Wanting you to be dead
Stabbing at the eyes
Bringing hated cries
Bite the hands that feeds
Breeding of miseries
True tale to tell
To the ground you fell
Puncture to the mind
No hope to find
Locked within a dream
Being left to scream
Tortured by the hours
Restrained under powers
No choice for your days
As each one is torn away

Unhinged

Wednesday is upon us so without further ado here is Unhinged. Hope you like it!

The bank is locked tight. Not because the working day has come to an end though. In fact, the sun is hours away from reaching its zenith. Instead, the bank is locked for a very different reason.

Inside Jeremy Myers puts a bullet from the nine millimetre pistol in his right hand into the back of the head of the last remaining member of the crew of fellow accomplices. He hasn’t done it because the man, whose head is covered by a black ski mask, has betrayed or even angered him. He’s done it because it was all part of the plan from the start. His plan. He never would have told the other five members of his crew that. Doing such a thing would have spelled certain disaster. Jeremy might be crazy, but he sure as hell isn’t stupid and cackles crazily while watching the thick dark crimson puddle spread around the lifeless corpse he has just executed.

The fellow criminal never saw it coming and even if he had he would have been unable to avoid his own death seeing as Jeremy is armed with a pump action shotgun as well. It’s fully loaded and ready to dispatch anyone foolhardy enough to try and take him on. But with his ‘crew’ dead, along with the banks two security guards, he doubts he’ll be met with much resistance.

He leaves the confines of the vault room. He isn’t interested in the monetary contents that it holds and only used the lure of easy money to get the five now dead men to join him on this ‘robbery.’

The vault room is plain, apart from the large metal door recessed into the far wall, by the side of which is a keypad and a scanner. Jeremy doesn’t know if the scanner is for the managers’ eye or palm and doesn’t much care. That isn’t his concern here. Still as he returns to the back office of the bank, which is sealed up nice and tight, he hears the screams of the nearly thirty hostages.

They’re all already bound with plastic zip ties, which are painfully digging into their skin as they fidget. He knows they’re not trying to escape, but if any of them were they would be met by a swift shot to the gut. He doesn’t care how many of them die, or the threats the cops will undoubtedly make to try and weed him off the idea of executing hostages. The authorities don’t know who they are dealing with. If they did their response would likely be very different. But that’s their problem, Jeremy thinks as he stares at his captives, who are all still snivelling and weeping like pathetic little lambs aware that they’re being led to the slaughter.

Jeremy doesn’t know if actual lambs know when they are being marched to their doom, but he expects they do. Animals aren’t as dim-witted as people like to make out. They just say they are to make themselves feel smarter and more important than they actually are.

He wonders if these people realise how important they are at this very moment. He doubts it. Instead they’re likely praying to their Gods or pleading for their lives. He isn’t listening to their words, but he is sick of hearing their moans.

“Quiet!” Jeremy roars as loud as his voice will allow. It surprises him just how vocal he can be when it matters.

The walls of the back office are thick concrete that have been lined with skimming paper and then covered in thick layers of cream coloured paint. To his eye the craftsmanship seems sloppy, but he doubts those around him would notice unless it was pointed out to them. Few people ever realise the substandard nature with which jobs have been completed. It isn’t an affliction that Jeremy suffers. Everything he does he does with pride and care.

A wide sick smile is torn across his thin pale lips which would otherwise be twisted into a permanent sneer. While his over large eyes flash between the restrained hostages before him. Their eyes, unlike his, are filled with fear and unsurprisingly a healthy dose of loathing. He can taste it in the air as he inhales it. He loves the taste and throws his head back in response. His swept back excessively bleached hair almost white in colour as he licks his lips and then suddenly drops his head and stares maddeningly at his audience. Each has a bomb strapped to their chest, but they can’t detonate them with a false move. That would have been a terrible waste. Hostages can, and should, never be trusted to keep themselves still. The idea that they will is a fallacy of fiction and one which he finds to be both abhorrent and idiotic.

The rest of the back office space is lined with boring desks topped with all-in-one computers. Jeremy doesn’t care to note the make as he sees little point. The machines serve him no purpose, much like the chairs which were unceremoniously tossed when the rest of his crew had entered. They had been the ones to round up and secure the hostages. They’d even asked, in the typical clichéd manner, which one of them was the manager of the branch. They never got an answer and Jeremy didn’t press it. The crew had wondered why, but he’d given them some excuse about the manager having been canned from his position and a replacement not yet being in place. His fellow conspirators had bought the comical excuse. Not that they lasted much longer as soon after he’d began executing them. Only the last died from a bullet wound to his cranium. The others had met grizzlier fates that saw sharp implements jabbed into their eyes, ears or throats. Each had met a vaguely different, yet inventive end, which had brought Jeremy a great deal of satisfaction.

“What do you want?” Someone asks. Jeremy doesn’t care who. All the faces look the same to him no matter their race or gender.

“Want? Who says I want anything?” Jeremy replies with a terrifying chuckle that erupts from his thin mouth above which sits a long narrow moustache. The height of which is barely more than that of the lead of a pencil.

“That’s why you’re here, surely!” Another of the hostages exclaims. This time it’s a woman. The first had been a man. Both are dressed in suits. In fact, most of the people who are being held hostage are in suits. But less than half of them are bank employees. Not that it matters as they are all wearing the same panicked looks on their faces as they wonder what will happen next.

“Oh, surely.” Jeremy says before erupting into maniacal laughter that sees him throw his head back and gives a proper look at the charcoal coloured suit that he is wearing over a salmon pink coloured shirt and white tie. The outfit doesn’t match. In fact, it looks like Jeremy got dressed in the dark to the hostages. The reality is he didn’t.

“So why are we here then?” A third hostage, a male, asks with a stammer.

“So I can tell you a story.” Jeremy replies with a wide smile that doesn’t quite remove the sneer that is the result of the scarring to his left cheek.

The wounds, though healed, look painful. They aren’t self inflicted but they are deep, jagged and messy. It makes each and every one of the hostages wonder how the man armed with the pump action shotgun got them. Was it the result of a fight? Or some family tussle? They don’t know and they aren’t sure they want to find out.

“You want to tell us a story?” Someone asks with a confused and wary tone.

“Of course. I bet you all like stories. And I think you’ll enjoy this one.” Jeremy continues his head swaying from right to left and then back the other way again. It’s an eerie movement but for some reason none of the hostages can bring themselves to look away.

“What about your…friends?” An older sour faced looking woman asks choosing her words carefully.

“Oh them. You don’t need to worry about them. They won’t be bothering us. We’ll have plenty of alone time.” Jeremy says with a frantic wave of his left hand. His right remaining on the grip of the shotgun, while his index finger makes sure to stay close to the trigger.

Jeremy doesn’t like guns. But they have a time and place. And this is certainly that time and place. He would never be able to keep this audience in line otherwise and that, in his mind, would be tragic.

“Anyway, back to the main event. The story. You all want to hear the story right?” Jeremy queries as his tongue laps at his bottom lip absentmindedly.

But Jeremy is met with nothing but um’s, uh’s, silent pauses and blank stares. He isn’t impressed with the audience’s lack of participation, but that’ll change before long.

“It’s ok. It’s not a long story. It’s about my how my parents met and all that fluff. I think you’ll like it.” Jeremy states before adding, “Mostly, anyway.”

At that point he chuckles crazily, flashing his overly whitened teeth for all the hostages to see. But still he is met with silence and that irks him.

“Fine. Be like that. But I’m going to tell you like it or not. After all, it’s not like you’ve got anywhere to go.” Jeremy cackles.

“And seeing as there are no objections…there’s no time like the present. So let’s start with a poem.” Jeremy concludes. He doesn’t care if the hostages want to hear what he has to say. They’re here and they will listen. That’s why his face darkens as his long pointed nose drops to cut his wide evil smile in half in the moments before he clears his throat to begin.

“I wasn’t a wanted child. At least that would have been my mother’s cry.” Jeremy begins with a flourish of his hands. The shotgun now hangs off his shoulder because of the strap attached to either end of its length. But the hostages haven’t noticed. Instead they stare at Jeremy almost feeling sorry for him.

“My father was a special brute. He saw my mother and pulled her root.” The captor continues pleased with his little rhyme.

“Abduction was the greatest key. He kept her on the bed you see.” The hostages hearing this line gulp. They aren’t sure where this poem is going, but something tells them that it is about to get far darker than even this section alludes to.

“Her first escape saw shattered legs. But still she dared to try again.” The hostages’ eyes go wide as it becomes clear what their captor is detailing.

“Crawling for the front door. Dear dad stopped her forever more.” The hostages wince in response to these words, while Jeremy chuckles a little. He knows he has his audience in the palm of his hand. They can’t get enough. They’re invested now and that’s before the best part has come. Oh how clever I am, he thinks before he carries on.

“Snapped her arms like little twigs. After that she wallowed like a pig.” The hostages cry and squirm as Jeremy recites the line gleefully. It is clear he is pleased with how his mother was treated. It’s proof that he is a sick man. If only they knew the truth of it, but they soon will and when they do they’ll wish they didn’t.

“Before long I came shooting out. Ending her life with a shout.” Jeremy giggles in a manner which would usually be reserved for an excited schoolgirl.

“So dad buried her in the yard. Missing people can be so hard.” Jeremy concludes before roaring, “Hahahahahahahaaaaaaa.”

The man, the crazed lunatic that the hostages are now sure that he is, can’t control himself as his laugh continues to echo and roar. It seems as though it will never end. Then suddenly it does. The smile disappears from his face and is replaced in an instant by an expression of madness. His eyes burn with violence, yet so far he has shown none. The hostages don’t understand this man, and he doubts they understand him. Neither is necessary. He knows that, but he doesn’t know if they, his audience, do.

“Why are you telling us this?” A big guy asks calmly. He has fear in his eyes, but unlike many of the hostages he is managing, so far, to keep his emotions in check. Some of those around him though feel and look sick. They have pale faces and they keep their eyes averted from their captor. They are sure they’d be better off with the rest of this crazy man’s accomplices. Though some wonder why they haven’t heard anything. They would have expected drilling sounds and voices, but they’ve heard nothing. Does it mean anything? None of them can be sure, but now they have noticed it they can’t shake the concern it makes them feel.

“Because I can.” Jeremy replies simply as he stretches his arms wide showing how proud he is of his own actions.

“Now. Would you like to know how I got these scars?” Jeremy asks after a short pause during which silence hangs in the hair.

The pause was for affect and Jeremy is sure that it has indeed had that desired effect that he hoped for. That’s why he can barely keep a straight face as he suppresses a smile, as well as a hearty chuckle.

“No? Well tough. You’re going to hear it whether you like it or not.” Jeremy answers following a delay in which no one gave him the answer that any good audience should, yes. Ungrateful, the lot of them, he thinks as he tugs on the lapels of his jacket and cocks his head left and then right. His vertebrae crack audibly once and then a second time with the cocking of his head. It feels good to get the kinks out, he thinks to himself as a smug look slides across his face in preparation of this new recital.

“I call this…the story of the scars. Catchy title, don’t you think?” Jeremy begins but gives no pause for the captives to answer as he launches straight into the tale. But as he does he recalls now that he never gave the title that he previously recanted. That darkens his mood, momentarily. He should have made sure to inform them that its title was: Poem of Birth. But it matters little now. He has missed his opportunity.

“Jeremy had been a troubled child. He’d killed birds with toxic pesticides. Gutted cats on summer days. And tortured dogs for many days.” The captives were already sickened by this latest story, which is again being recanted as though it is some sort of brilliant fabrication of poetry. It isn’t, but none of them are going to tell the man, who they now know is called Jeremy, that.

“Daddy didn’t really care. In fact he was proud to have him there. Learning how to torture souls. Hoping that his skills would soon evolve.” Jeremy reels off proudly, his left hand extended as though he is reciting lines on par with those that were written by Shakespeare.

“Then came the first death of man. A young girl without a better plan. Desperate and needing cash. Soon her throat ended up slashed.” Jeremy laughs for a few seconds with his overly white teeth on show. He made a slashing motion across his throat as he gave the girls fate, his lips pulled back strangely.

“Prison called a few years later. With the discovery of filthy scraps of paper. They accused of crimes committed. But he would soon be acquitted.” Jeremy alluding to how it is that he is stood before his ‘audience’ now.

“Even so he butchered convicts for fun. No one dared to say a thing. So when the judgement was overturned. Out the gates he did worm.” The hostages are quaking where they sit on the hard polished tiled white floor that has grey shining specks dotted about randomly. They don’t know how this story is going to end, but it makes them all fear for their lives more than they already did. Before it was clear that Jeremy was crazy, but now it seems he is looking at crazy in the rear-view mirror having passed it by several miles.

“But not before a foolish mate. Tried to teach him a life lesson late. He took a razor to Jeremy’s cheek. A reminder of which we often speak.” Jeremy projects loudly, pointing to his cheek when its honourable mention came. The captives have to admit that Jeremy seems to have forgotten the point of the story was to inform them of how it happened. Instead, he seems to have informed them of the events that led up to it, but not the actual details of why it occurred.

“So now you know the true story. Of what happened to the face of Jeremy. A sad tale it’s really not. Cause now I’m here with you lot.” Jeremy concludes before smiling disgustingly. It’s a look that makes all the hostages fidget in response. They are sure he is going to kill them, like he must have killed his accomplices. They don’t know that for sure, but they don’t see how they can be wrong, unless right now one or all of them appear alive and well.

The hostages wait but no other criminals appear to quell their fears, which means, as they had come to suspect, Jeremy has almost certainly killed them. But still they don’t know what the purpose of all this is. Though, none of them dare to ask now. They had believed this was a simple robbery, now they have no idea what they are faced with, other than maybe the craziest person ever to have walked the Earth.

At that moment a phone rings. Its rings is deafening to the captives who had become accustomed to the silence following Jeremy’s harrowing ‘stories.’

But the captor himself simply rolls his eyes at the onset of the ringing tone. It’s a boring drone, he decides, but he had been expecting it.

Jeremy reaches for the phone, but he doesn’t pick up the receiver, instead he thumbs the button for loud speaker as soon as he answers it.

He wants his audience to hear the conversation. He has no secrets to keep from them. What would be the point? They have seen his face, which is pretty distinctive because of the scarring. Plus he’s told them his past, as well as his first name. Those aren’t deal breakers, but they will help. That’s why it’s probably just as well that Jeremy’s dear old dad is dead. Jeremy killed him when he’d gotten old, weak, forgetful and overly talkative with any tom, dick or harry that he came across. It had been a swift death, but not one that had entertained Jeremy. Poison rarely gave him the same pleasure. It was too hands off for his liking, but any other manor would have drawn attention and attention may have led to him being investigated. He didn’t want that as he’d made sure to keep everything perfect and devoid of evidence.

“Line one. How can I help you?” Jeremy says suppressing a chuckle as he answers the call.

“I take it I’m speaking to the hostage taker in charge?” The serious sounding male voice on the other end of the phone asks ignoring Jeremy’s attempt at humour.

“That’s me.” Jeremy confirms without a care in the world. His tone is pitched and jovial.

“Ok, good. I’m officer…” The man begins but never manages to finish.

“Oh stop being so boring. This is supposed to be fun. So how ‘bout we get straight to the good part?” Jeremy interjects before chuckling.

“This isn’t a game.” The officer replies, his voice still as serious as ever.

“Oh but it is. Now ask me the question I know you’re dying to.” Jeremy retorts.

“Huh. What are your demands?” The officer asks already sounding weary from his brief exchange with Jeremy.

“I don’t have any.” Jeremy advises before cackling.

“You don’t have demands! So what is it you want?” The officer asks confused.

“To incite fear!” Jeremy proclaims loudly before he grabs hold of the shotgun hanging limply off his shoulder and fires off a shell.

The pellets explode out the end of barrel and cross the short distance to their target before shredding the young man’s clothes and chest.

Jeremy laughs like a lunatic as hostages scream and cry in shock at the act. Most try and shuffle away from the mortally wounded man as he begins to choke on the blood that it filling his torn lungs.

A few try and move toward the dying man in hopes of somehow helping him, but as they do so Jeremy fires again. The second shells pellets claim another life as they explode the head of a once pretty young woman. The sprays of blood, bone shards and brain matter lancing up the wall behind the now headless hostage, staining the surface as the screams continue to roar loudly.

“Holy shit! He’s killing them! He’s killing the hostages!” The officer on the other end of the line bellows to his colleagues around him. But Jeremy and the hostages hear none of the police officers words. They are lost under Jeremy’s uncontrolled maniacal laughter and the various screams and prayers of the captives.

Three more of the hostages die brutally at the hands of Jeremy and his shotgun before the armed police blast the door and large windows of the bank and come storming in with all force they can muster.

Each of the armed officers is clad in body armour, helmets with face shields and full tactical gear. Their assault rifles are gripped tightly in their hands, the barrels of which are raised and ready to fire as soon as they catch sigh of the target.

The armed officers scream and shout for everyone to get down on the ground but as they advance they are met with Jeremy who simply continues to laugh like a crazed lunatic with something in his hand. At first the officers don’t realise what he is holding and simply demand he drops it, but once they do they know they have to end this. Unfortunately for them Jeremy doesn’t give them the chance as he detonates the explosives strapped to the chests of the hostages, living and dead.

The simultaneous near thirty explosions vaporise the hostages and their bodies who never had a chance. While the expanding core of the explosion balloons outward until it reaches the armed officers who having time to react are consumed and obliterated by the blast that sends blood, bone and tattered cloth in all directions.

Then suddenly the epicentre of the explosion vanishes almost faster than it appeared, leaving debris and ruin in its wake. In addition the walls of the building that used to be a bank, have swollen outward due to the force of the blast. The roof of the building barely still attached to the walls as it hangs partially in limbo waiting to collapse. It doesn’t take long before it does. The crash of the roof and its supports slamming to the ground results in all the officers on the street, as well as the civilians who have been watching, to jump backward in surprise. No one had ever thought they would experience what they have today, but in truth they don’t actually know why this happened. That will only be known once the security footage is published for the world to see. It won’t be the networks that publish it, but once it is out in the wild they will cover and replay it countless times from now until the end of time. Jeremy will be infamous, just like he has always wanted to be. His name will go down in history and with any luck will inspire others to do the same. That is what the crazed maniac had wanted all along.

Blurb: Unhinged

Hey! I’m back again with another blurb. This really is becoming a habit. Anyway, this is pretty different from what I’ve done before. There are no heroes in this story and when it’s published tomorrow you’ll see that it’s not very long (about 4000 words). So here we go!

Ever actually lost your mind? I have. It was quite refreshing. I should tell you about it.

Oh don’t worry, it isn’t a long story. Plus I think you’ll enjoy it. Mostly.
So what do you say? Wanna give it a go?
No? Well tough. You’re gonna hear it anyway.

After all, it’s not like you’ve got anywhere to go. And there’s no time like the present.

So lets begin, shall we?

Cyber Kingdom

Mechanical hearts in your chest, so stark
Another dose of pain will bring you fame
You build your walls up high and sit inside
But can you really say that you’re alive?

You replaced bone with steel, no care
Look to the sky but there’s no one there
What you hope for you can’t quite say
Maybe you’ve taken too much away

Change out your face to begin again
You’ll still be just another trend
A few days before you’re thrown away
Then what will you have to say?

Nothing remains of who you were before
You call it a choice but it was just abhor
Even the eyes are not your own
You lost yourself in this cyber kingdom

Now you weep without a tear
Trapped in a shell that gives you fear
Can’t even work out who you really are
Now you’re sure you went too far

Tragic story in a tragic land
The future of a part of mankind
Too busy pushing for the future to come
Didn’t want to wait and just let it happen

Look Around

Float along the endless winds
While far below the water sings
Up high above the fluffy clouds
Sunlight keeps the skies alive

Far below the tidal waves
Where fish and fauna hide away
All is black and silent
But still life is so vibrant

Drift along the countless dunes
Above and below there are tunes
As the sun does bake the ground
Beauty of the world profound

Sail across the glassy blue
As the birds call out to you
Even as the storms to groan
Everything will still roam

So cast your gaze over the cliffs
As the waves crash into it
While the mountains pierce the sky
The rivers burble a new cry

Volcanoes spew out new land
Upon which life will found
Even while the snow does come
Settling below the sun

Trees towering beyond your reach
Bearing fruits of apple and peach
While the grasses sway in the breeze
High enough that you can’t see

So tell me now what do you see?
Is this just a place to be?
Or should we drink in the sights?
Before the start of endless night

Poisoning

Drink from the poisoned chalice
One that is filled with malice
Prepared by the heathen gods
Manufactured to squew the odds

Mounted atop the blackened throne
Constructed from bleached white bone
Crowned upon the fields of doom
Beyond which lies the bloody moon

Sip at the sulphur streams
From which come innocent screams
Drowning in the filthy crud
No more cries of bonded by blood

Wrapped within the putrid rags
This is not a life of brag
Instead come chants of kill ’em all
Right before the axe does fall

Fashioned from a harrowed dream
The sort that’ll play on every screen
Built by the rotten hand
All of which did come from man

So mark my words and mark them well
This is the spell that will soon swell
Consuming all that dares to breathe
And will be rended bitterly

Gunslinger

Wednesday! Story day! Well I dropped the blurb yesterday, so not much to say about the story itself other than it was inspired by The Mandalorian, seeing as I re-watched it recently. Other than that this is a shorter story (about 9100 words) and I really enjoyed writing it. Hope you like it!

Karas is sat at the bar of the Ensorio Cantina. The cantina is a large open space filled with patrons, all of which are staying clear of Karas. The human has a reputation that follows him wherever he goes. It suits the man, who is sat upon a high stool sipping at the liquid in the glass in his hand. His shoulders are hunched making it abundantly clear that he does not wish to be bothered or conversed with by anyone. That includes the bartender, Kentor, who is also human. Though he is nothing like Karas. People don’t fear Kentor. He’s a simple man with a simple job, serve the patrons and ensure they stay happy. After all, Ensorio Cantina is located on one of the mid levels of Exodus, a dead planet.

Many would ask how a dead planet can have life on it and the truth is there is no life on Exodus, as it isn’t a planet anymore. Instead, it’s a husk that was hollowed out over many centuries by the countless dozens of species from hundreds of systems that have converted the former planet mine into a colony.

The interior of Exodus consists of thousands of levels which provide homes to billions of lives. However, Exodus is not the most reputable of places and the likelihood of a fight breaking out even on the mid levels is relatively high.

Kentor hopes that won’t be the case as he continues to polish glasses. He doesn’t have to do such things; he could instead relegate the job to a minion. If he does that though, he won’t be able to keep busy. For while the cantina may be bustling it is far from overflowing. He’s thankful for that as he’s the only bartender on duty tonight. It’s why he’s on duty alone. His boss knows better than to under staff a shift.

At that moment Kento is called to serve a patron and quickly crosses the space behind the metal and glass bar that rings around him in an oval shape to oblige.

The bar isn’t centred in the open space; instead it sits a little off centre allowing patrons to pour into the space from the entrance when the establishment is at its busiest. The low flat ceiling broken only by small vaults within which reside the bright beaming soft yellow lights that bathe the room in just enough light that the patrons can still conduct business with relative seclusion.

Karas gazes into his glass seeing that he has little more than dregs remaining as he mulls over whether he wants to order another shot of the ale. He doesn’t remember its name but decides he’d just rather wait. Bendo, the guild contact, should be along soon. Many of the patrons around the cantina, which is named after the district it is nestled within are laughing and chatting while they knock back booze, indulge in the plentiful supplies of narcotics which flow like water in this establishment or leer at the scantily clad barmaids who when not serving customers are writhing around provocatively.

Karas doesn’t know if they’re working girls or whether it is simply an added layer of entertainment. What he does know is that the writhing is part of the job description. There is no arguing against it. The girls know that if they want to work in the cantina then they have to be willing to strut and sway in ways that will please all the male patrons of the various races that frequent this place.

And Karas has to admit that the patrons are a healthy mix of most of the species that call Exodus home. It isn’t his home, at least not strictly. Karas, in truth, doesn’t really have a home as he’s a gun for hire. He goes where the credits take him and that is why right now he is here.

Karas casts his gaze around, taking note of how the patrons make sure to keep their eyes averted from him. It humours Karas how his reputation of the ‘slinger, as he has been nicknamed, follows him wherever he goes. He doesn’t even have to announce himself anymore. Everyone seems to know him just from a single glance of his six foot one inch height, his thick short brown hair and orange eyes. They aren’t the eyes he was born with; he doesn’t even remember what colour they were. Or what became of them for that matter. No, these eyes are enhancements that allow him to track, mark and locate targets in addition to them having significant zoom functionality readily at hand.

Still, Karas swirls his glass round and round in circles making the dregs of his drink lap lazily at the vertical sides of the tumbler which he holds between his first two fingers and thumb. It’s a sign that he’s bored, but he has to wait, the chance at extra creds is too good to pass up. He doesn’t know what mark Bendo might have for him, but he knows it’ll pay well enough. Bendo always pays well. In fact, every job from a Guild Practioner of Bounties pays well. It’s why Karas has been taking more of their jobs recently. It would help if Karas had a starship of his own, but he doesn’t. Not that he needs one on Exodus.

The ‘slinger wonders if on is the correct way of categorising his presence in regards to Exodus. He isn’t technically on the dead planet, as that would imply that he is stood upon its surface. But there is nothing on the surface of Exodus, save for the defensive weapon systems. He doesn’t know the last time the heavy ion cannons were fired or why this particular rock was chosen to be converted from an exhausted mine to a deep space colony that sits in an otherwise dead end system. After all, Exodus is not unique in being a dead world that was mined for resources.

Though, Exodus is the only planet in this system and its star is long since dead. That’s why the surface of the sphere is nothing but heat blasted rock. Exodus, Karas doesn’t know what its name might have been before, sits on the very limit of the system, which is the only reason it wasn’t vaporised into dust when the systems star exploded. He has no idea how long ago that was as Bendo finally arrives.

The Guild Practioner of Bounties slinks slowly down the stairs into the open floor of the cantina. He catches the glances in his direction from a healthy number of the patrons. It makes him chuckle silently as he paces toward the bar, taking note that Kentor is serving tonight. That’s a good thing he notes to himself as he comes to sit on the stool next to Karas. He knows it’s the gunslinger even though the man, who is a fellow human, refuses to turn and greet him. The Kellar armour and a grey fray edged cloak that hangs off one shoulder are enough proof of how he has just sidled up next to. Bendo is sure Karas knows he is here, but the ‘slinger seldom partakes in welcomes and niceties. He is all business, which is why Bendo snaps his fingers several times to get Kento’s attention.

Bendo is parched and in desperate need of a drink. He licks at the corners of his mouth where his thing chapped lips meet, above which sits a flat nose and small sunken blue eyes. Bendo’s head is shaved but his jaw line is buried beneath a thick yet well maintained blonde beard that exaggerates his otherwise lacking natural jaw line helping to give it definition.

“What’ll it be Bendo?” Kento asks with a warm wide smile. It’s a sincere gesture which is why Bendo likes the bartender and continues to regularly frequent the cantina.

“Flask of Benshin.” Bendo answers succinctly as he continues to lick at the corners of his mouth. He can feel how dry his throat is, which is why he is pleased to see Kento waste no time in pouring a healthy dose of Benshin Pearl into the stout metal flask.

“Keep the change.” Bendo offers as he throws down more than twice the credits needed to pay for the alcoholic spirit, which he quickly raises to his lips and greedily sips at.

The burn of the alcohol stretches down his throat quenching his thirst. He doesn’t know how the powerful spirit manages it, but he isn’t about to question the miracle as he lets out a long sigh of satisfaction followed by slight nods and a lick of the entire surface of his lips. He refuses to waste even a drop of the precious beverage. But begrudgingly, he sets the flask back down onto the glass top of the bar below which are a couple of shelves packed full, he of thousands of species alcoholic delicacies.

Bendo wonders whether he should offer Karas a drink, but decides better of it. The gunslinger isn’t known for accepting gifts. Bendo doesn’t know why, but he does know better than to question. The man’s reputation is fierce and if he’s here in the cantina then it means he is expecting a job. Karas isn’t a bounty hunter but Bendo still offers him marks, as Karas likes to call them, as though he is a member of the guild. No one will question it. If they did Bendo can always put a bullet from his concealed Bell Pistol in them. The snub nosed projectile firing weapon might be considered old school or archaic, but it still gets the job done. If it didn’t the weapon would have gone out of production centuries ago, but it hasn’t. In fact, Bendo is pretty sure that it is still a favourite among smugglers, dealers and traffickers. The same sort of people Bendo issues jobs to have taken down or apprehended. Even if the people issuing the bounties are also the exact same types as those with credits on their heads.

Bendo doesn’t discriminate. He only cares that he gets paid. It’s been a long time since someone has dared to try and swindle him. Mainly because few people want to end up on the shitlist with the Practioners, who could quite easily someday be needed to put a job up with so a rival or problem can be resolved.

Kento scurries off again having been called by a patron at the far end of the oval bar. Bendo isn’t surprised that everyone is keeping their distance from Karas, who is visibly armed with twin Strike Bolt plasma pistols as well as a Devour Blade. The large knife is strapped to the centre of the hired guns Kellar chest plate. It’s a clear warning to anyone not to mess with him. Though, the gunslinger refuses to wear the helmet that would complete the armour. Bendo doesn’t get why. If he was Karas he’d make sure to never remove a helmet in the presence of anyone, for fear of having his head shot off. However, when you have the well earned reputation of being the quickest draw in the galaxy, like Karas, maybe it makes sense why he refuses to wear a helmet. Few aim for the head. The target is too small for most of the weapons wielded by the kinds of people Karas will face. Still, it’s a risk Bendo wouldn’t be willing to take if he were in the other man’s shoes he decides as he turns his focus to Karas. The hired gun is still sat facing forward swirling his tumbler absentmindedly. His eyes are locked forward in a blank stare that the patrons across the room from him seem uneasy have pointed in their direction. They won’t dare say nor do anything, except maybe retreat to a different alcove, all of which are identical with the small round tables and the semi circular bench seat that rings it. Still a barmaid quickly rushes across from whether she had been moments ago to block Karas’ stare and writhe suggestively. It’s a simple distraction for the three patrons who begin to grin crazily at the barely covered flesh of the human woman.

Bendo notes that she is one of the only human barmaids working tonight and that he has never seen her before. Maybe he’ll have to get acquainted with her later, but first business. He knows Karas is growing weary. The cantina isn’t his kind of place. He doesn’t indulge in narcotics or the barmaids and the swill he drinks has barely any potency. In many ways Karas is an anomaly. Perhaps it’s all an act to give him more mystique, but Bendo doubts that.

“Got a nice job for you Karas.” Bendo begins. He sees no point in wasting any more time. He knows the perfect mark to give the gunslinger.

“A Garteen…with a list of cred crimes as long as an Anacrisses’ tail.” Bendo continues. He knows Karas won’t say anything. The hired gun is a man of very few words. Most would find his lack of chat disturbing but Bendo has dealt with him long enough that it doesn’t bother him. Plus Bendo likes to talk. He loves the sound of his own voice, and that is why, in part, he became a Practioner of Bounties.

Though to him, anything is better than a life as a grub farmer or tunnel monkey. However, Bendo must admit that he has no idea why he compared the long list of crimes that this target has to his name to the length of the almost dinosaur like Anacrisse. Bendo has never seen one of the reptilian beasts, but he’s heard tell that their tails often stretch to more than seven metres. It humours him to picture the animal in his head, whose body is apparently less than half the length of its tail. He knows he could just look up an image of the creature, but that would take the fun out of imagining it, he thinks.

“It’s a real good job, with a hefty bounty. Fifty Thou.” Bendo advises with a wave of his hands to make a point of how big the bounty is compared to the incredibly low risk that the target poses.

“Names Velber. And the best part…He’s right here on Exodus.” Bendo informs between sips of his Benshin Pearl and long loud licks of his lips.

Karas can tell Bendo is pleased with himself for having this bounty on his books. He doesn’t know why, but clearly he’s been saving it. He can’t have known that Karas would be coming round. Bendo isn’t as well informed as he liked to think.

“He’s somewhere in the slums, the lower levels. Little toad is hiding. He thinks no one will find him down there. Obviously forgets that he’s got a disc in his neck like the rest of us.” Bendo says with a chuckle and a shake of his head. His beard rustles in response to the swift yet slight movements.

The Guild Practioner is referring to the transit discs that everyone on Exodus has embedded under their skin, except Karas and others like him who don’t actually come from Exodus. They’re visitors and as such aren’t required to be fitted with the devices which can easily be tracked to within four millimetres of the owners’ location. That’s of course, if they are still in one piece, seeing as trying to dig the small disc out will in almost every instance result in death.

At that moment an angry looking Nairian barges into the conversation. He shoves at Bendo who is nearly sent flying off his high stool by the bird like alien with black soulless eyes, a stubby beak within which are short sharp serrated teeth, and a rust coloured plume of feathers around his neck that make him look larger than his actual six foot two inch frame really is.

“Move human.” The Nairian orders with a growling voice and what can only be described as his species own version of a snarl.

His black eyes burrow into Bendo who on the surface smiles, but is really seething at this aliens interruption and obvious lack of decorum.

“We were here first. But how about I buy you a drink and we go our separate ways?” Bendo says trying to barter with the Nairian who shuffles angrily on his wide splayed four toed feet. The fourth toe jutting out the back of the aliens’ foot in much the same manner as the birds found on human worlds do.

Bendo is trying to keep the mood light as many of the patrons stare at them it silence. They are clearly waiting for a fight to break out, but Bendo doesn’t intend for that to happen. Even if he would like to shove the stubby barrel of his pistol into the Nairian’s gut and fire off several of the four rounds loaded into its barrel cylinder. He doubts the alien would be so brash with his guts hanging out and blood pooling at his feet.

“How about you buy me a drink and then you and your friend move? This is my space.” The Nairian spits angrily as it glowers menacingly while clenching its four digited fists tightly. It’s clear to see that the Nairian is not just ready to throw a punch, but eager as well.

Bendo always forgets that Nairian’s are covered from head to ankle in feathers. The’re are so short and flat that they appear more like skin in comparison to the kinds of feathers found on the birds he is used to seeing.

He wonders if Nairian’s have any genetic links to the birds found in human systems, but something tells him that’s doubtful. Birds, unless provoked, are never as ill-tempered as Nairian’s, who can’t even sing pretty tunes.

“How about some creds then? Will that bring this to a close?” Bendo then offers seeing that his bribe of buying the alien a drink has clearly fallen flat.

“Teeluk, don’t cause any trouble. Not tonight.” Kento says butting into the conversation and giving the Nairian’s name. But Teeluk ignores the human who is tending the bar of the cantina.

“Creds? How much you offering human?” Teeluk queries greedily. Few try and bribe with actual currency, which means the human is loaded, he concludes.

“Two hundred and you leave us be. What do you say?” Bendo offers confidently and with a forced smile on his face. He doubts the Nairian will know that the smile is forced, seeing as they aren’t the best at reading human facial expressions. That’s because the Nairian’s themselves have no facial expressions. They simply look angry all the time. It’s their voices that hint at their emotions, which is how they read other species, which is why Teeluk is sure Bendo is being sincere. Though, Teeluk believes the human a fool for his attempts at bartering.

Karas meanwhile says nothing. He continues to sit their swirling the tumbler in his hand round and round. He knows what will come next, even if Bendo doesn’t, but he’s ready for it.

“Sounds good.” Teeluk answers as he offers his wide feather covered four fingered hand ready to accept the credits Bendo has promised.

Bendo, being good to his word, drops the credit chip into the open waiting paw of the Nairian and then smiles. He is sure the brief albeit unnecessary tussle is over, but Teeluk doesn’t walk away. Instead, he grabs Bendo by the shoulder and wrenches him off the stool.

Bendo goes flying a couple metres across the empty floor space of the cantina before painfully slamming into the hard metal plating of the cantina floor. It’s unforgiving and Bendo can see little more than stars in his vision as he blinks rapidly hoping to clear them.

He is cursing himself for being civil and believing that the Nairian would do the same. He knows most Nairian’s are rarely civil, and by the looks of things this Teeluk definitely falls in with that majority.

The Guild Practioner considers pulling his Bell pistol and loosing off several rounds, but from this distance it’ll be little more than useless. After all, the projectile firing weapon is meant only to be used in the closest of quarters. It has no range, unlike the Strike Bolts that Karas has strapped to both of his thighs. Bendo doesn’t know if Teeluk has seen them, but he be surprised if he hadn’t.

With the first human out of his way Teeluk only now has to deal with the silent one. The patrons in the cantina all take a half step back. It’s good to feel powerful, Teeluk thinks as he invades this second human’s personal space.

“Move! This is my space, krem.” Teeluk spits the words in the native human tongue with venom. It’s a simple language to Teeluk who finds it vile to speak due to its lack of proper depth. His own language is far superior. In fact, most other species languages are superior to the human tongue, which isn’t even named after their species. In fact, Teeluk doesn’t actually know what it is named after. Some relic likely. The humans do seem to favour relics and the past, which Teeluk doesn’t understand. Plus human’s rely too much on facial movements and expressions for Nairian liking. But the use of the insult krem is common in the galaxy, especially in places like Exodus or some of the others crime controlled worlds.

Exodus isn’t a crime controlled world per se, but it does have plenty of crime. None of which exists on the high levels. No, instead that is often where the crime bosses and warlords can be found. They live in luxury with massive abodes that occupy large estates cut off from the rest of the colony by huge walls and intricate security systems.

Bendo can barely believe Teeluk has called Karas a krem. He doesn’t know the true meaning of the word or where it originated from, but he had learned over many cycles that it can be roughly translated to be something vaguely equivalent to being called a wanker in his own tongue.

Bendo doesn’t know if Teeluk is unaware of who he is speaking to or simply doesn’t care, but the Nairian grins widely all the same. At least that is what Bendo thinks a Nairian grinning looks like, though he can’t be sure.

However, Karas says nothing. In fact, he simply downs the dregs of what remains of the drink in the tumbler and then sets it down on the bars glass surface. Karas can guess what will come next, but he doubts Teeluk can.

As if on cue Teeluk takes a swipe at the glass tumbler with the back of his right hand. The glass flies off the bar top and across the room before detonating on the metal floor of the cantina, under which lies solid cold bedrock. The shards of the glass come to rest in a fan shaped pattern that shows the direction the tumbler had been travelling in when it met the immovable object, as well as the velocity it had been travelling at.

Karas simply sighs. It’s the most he’s done since he entered the cantina, took up a stool and ordered the drink. He doesn’t know how long ago that was, but he can guess.

Teeluk goes for Karas, roaring as he takes a swipe. Karas however, is faster and leaps back off his stool, pulls one of his Strike Bolts and fires a single plasma shot.

Bendo had tried to warn the Nairian by declaring that he is tangling with the ‘slinger, but his voice had got lost in Teeluk’s angry roar and now Teeluk is dead. A single hole burrowed into the space between Teeluk’s black soulless, and now dead, eyes by the plasma round.

Karas, with his Strike Bolt already returned to its holster, looms over Bendo. He doesn’t offer to help the man up as the patrons make sure to keep their heads low and gazes averted.

Some keep their heads low as a way of mourning for Teeluk who surely didn’t know who he was dealing with. While others fear that they might be next if they make a wrong move. They won’t be, but they don’t know that.

Karas gestures for Bendo to give him the tracking disc so he can go after the mark the Guild Practioner had spoken about before they were interrupted by Teeluk.

Bendo hesitates at first, blinking several times before then offering Karas the tracking disc without a word.

“Put anyone else on this mark?” Karas asks. His voice is low and gruff as he speaks.

Bendo isn’t sure when was the last time he heard the gunslinger speak, but the feeling he gets when he hears the man’s voice is still the same. A shudder ripples down his spine as he shakes his head slowly from side to side. It’s the only response he can bring himself to give the man, who raises an eyebrow in response.

“I swear.” Bendo then offers raising his right hand; the Bell Pistol in his left. Not that he got to use it; Karas had put an end to Teeluk before he’d had the chance.

Though, Bendo sees now that the patrons are continuing to all keep their gazes averted and heads somehow lower than before now that Karas has turned and is walking his way slowly across the open cantina floor. He is heading toward the stairs that lead back up to the street above.

Kento calls for someone to help him move Teeluk’s body to the alley out back. The Nairian will be dumped there, unceremoniously, which few here will argue is any less than be deserves.

Blurb: Gunslinger

OK, so this is the blurb for the new story. It’ll be coming tomorrow. That’s all folks!

Karas is a gun for hire that does bounty hunting work on the side.
He’s refered to as the ‘slinger because of his quick draw and lethal efficiency.
He says little, but his actions more than make up for his few words.
He doesn’t like hunters interfering with his marks.
Most know better than to get in his way. But a few still dare to take the risk for the coin it could net them.
This is one of those tales. When a hunter risks crossing the ‘slingers path as well as his patience.

Did You Really Think You'd Get Away

Six AM when I get the call
Another body in another hall
The same pictures in my head
I wonder what I’ll be faced with
Climbing into the drivers seat
Igniting another cancer stick
Barely able to stay awake
I need to feed this caffeine headache
As I meander down the street
Dreading how long this will take
Knowing I’ll be sick to my stomach
Just as well I was on a break
Pulling up at the address
Civilians gathered with interest
Then the reporters swarm
I give them absolutely nothing
Four floors up at the end
The body is just round the bend
Everyone with heads hung low
I already know this show
Then I catch just a glimpse
As the coroner leaves the mix
Massive pool of dark red
Its no wonder they are dead
I join the fray with authority
Dismissing most out of the way
Feeling nothing but a hole
The victim had been a pretty soul
Her hair still in a bun
Bleached blonde by the sun
Her eyes just simply gone
The latest victim of this scum
If only they had more to go on
Maybe I could pay it on
But as I sigh at the sight
I get word of a development
With the news I demand to know…
Where did the suspect go?
On the roof, is the crow
Apparently his name is Munro
So up the stairs I do bound
Now a suspect has been found
And right before my very eyes
There stands an arrogant prize
Caked in blood with no remorse
He bays for more violence
Bragging how we’ll get off
He doesn’t see there is no chance
I pull my gun and take aim
Drop the knife or bullet to the brain
He thinks I’m joking
Not so much when my barrel is smoking
His corpse is little more
Than a sack of meat raw
Do I even give a damn?
No cause he’s not breathing
So thats the tale of the night
Though it was day and there was no fight
Put a foot wrong
And you will be gone
One less abomination
Hope he likes damnation